Category Archives: Cultural History

“When is a Bear a Frog?” : Examining Material Culture Interpretation

Carved wooden dagger handle

Amy Woodson-Boulton As someone interested in the history of museums, I have thought for a long time about how we can use the objects in museums’ collections along with their archives to enrich our understanding of both. Recently I have been studying how ideas about art and the discipline of anthropology shaped the reception, display, and interpretation of Indigenous material… Read more »

Art, Taxidermy and Notebooks: The University Art Gallery As Site Of Cross-Disciplinary Exploration

Laurie Dalton As as the Director/Curator of a university art gallery that holds a permanent collection of art, I often think of ways in which objects can be displayed and understood in new contexts. Typically, museum collections are siloed, as are the displays. For example, at a natural history museum you rarely see visual art being used as a counterpoint… Read more »

Materiality and Theatre History at the Stratford Festival Archives

Stephanie Johns and Stephanie Vaillant The Stratford Festival, located in Stratford, Ontario, is North America’s largest repertory theatre that focuses on performances of Shakespeare, the classics, musicals and new works. The Stratford Festival Archives, housed at 350 Douro Street, is responsible for collecting and caring for the Stratford Festival’s history in its many and varied forms. As a way of… Read more »

Language Remediation at the WDM: Answering TRC Calls to Action #43 and #67

Kaiti Hannah Author Note: Portions of this blog post were originally published on WDM.ca. They are reproduced with permission from the authors and the Western Development Museum (WDM). The WDM is the provincially mandated human history museum of Saskatchewan. Language is important. The words we choose to use in our historical interpretation must be inclusive, accurate, respectful, current, and meaningful…. Read more »

Canadian Spiritualism, Mary Melville and the Female Biographical Narrative

By Thomas Hodd Mary Melville, The Psychic (1900) is an extraordinary Canadian cultural artifact. Written by first-wave feminist, psychical researcher, and suffrage leader Flora MacDonald (Merrill) Denison (1867-1921), this significant yet hitherto-undervalued text bears witness to a transformative and vibrant period in Canada’s social, literary and religious history. Based on the life of Denison’s older sister, Mary Merrill, Mary Melville is… Read more »