A reflection of Leni Riefenstahl’s “The Last of the Nuba,” which was designed as coffee table book when it was first published. By owning The Last of the Nuba does one own the last of the Nuba? Does one own a little slice of unspoiled African civilization? Is this more than a coffee table book? The author explores these questions.
A look at dead, historically prominent Canadians who have twitter accounts
A review of the Blaxploitation film Five on the Black Hand Side.
What is the relationship between presidential popularity and technology?
By Ioana Teodorescu You may have heard of it. Or not. Its official title is Reading Artifacts Summer Institute at Canada Science and Technology Museum in Ottawa and this is the third year when it happens. Jaipreet Virdi gave it a serious review in June last year on this very blog and I totally agree with that. I won’t repeat what… Read more »
This year marks the tenth anniversary of Doors Open Ontario. Doors Open is a program that celebrates heritage and culture by inviting the general public to visit buildings that are normally closed to the public. Doors Open also includes a number of sites which normally charge an entrance fee, these sites typically waive this fee for the duration of the… Read more »
Is historical fiction a useful approach for connecting young Canadians with the past?
This past weekend I watched two movies that were seemingly more different than any two movies could be. They did have things in common though. Both films were intriguing and entertaining in their own way and at their heart is a similar theme: reclaiming and uncovering the “true” past.
While Hip Hop’s socio-political consciousness has faded, the examples in this post denote that it is not dead. However, even as some employ its ethos to confront material realities, others invest only it its promise of wealth, power and pleasure. Thus the reason why the time is ripe for this reminder: Hip Hop wields much power, but with that power comes responsibility.
Billy Elliot: The Musical’s overarching historical context – the British mining strike of 1984-1985 – serves as the backdrop to examine issues of class and gender through the story of a struggling community and one very talented boy. Yet what happens to those who lacked the opportunity to leave town like Billy?