By Krista McCracken Historical photographs can be used to serve a variety of research, personal, and community interests. Images can be used for genealogy, legal testimony, supplementing written historical accounts, and providing windows into the past. Photographs can also be used as important tools in healing, reconciliation, and in the reclamation of lost history.The use of photographs in the reclamation… Read more »
Next month will mark one year since the people of Japan experienced a devastating series of natural disasters. The earthquake and tsunami that hit parts of Japan on March 11, 2011, resulted in tremendous loss for the Japanese people. Many Japanese lost their lives while survivors lost homes, a sense of stability, and sense of place. Personal items and familiar… Read more »
Earlier this month there was considerable discussion on the ARCAN and the Archives & Archivists listserves about which photo sharing/hosting sites can best serve the needs of archival institutions. Despite all the chatter there was little consensus on what hosting site was ideal for archival organizations. Many cultural heritage groups are looking for affordable solutions to making their collections more… Read more »
“Let the atrocious images haunt us. Even if they are only tokens, and cannot possibly encompass most of the reality to which they refer, they still perform a vital function. The images say: This is what human beings are capable of doing—may volunteer to do, enthusiastically, self- righteously. Don’t forget.” – Susan Sontag This week marks the tenth anniversary of… Read more »
I recently purchased an Apple iPhone, so that means I now enjoy texting, web browsing on the go and, of course, a higher monthly cell phone bill. But I’m also able to use a number of great apps that relate to history. An app (short for “application”) is essentially a computer program for a smartphone. Apps are often created by third-party developers… Read more »
A reflection of Leni Riefenstahl’s “The Last of the Nuba,” which was designed as coffee table book when it was first published. By owning The Last of the Nuba does one own the last of the Nuba? Does one own a little slice of unspoiled African civilization? Is this more than a coffee table book? The author explores these questions.
A brief discussion historicizing colour and non-colour photography.
An exploration of how digitization changes the context of photography, with a particular emphasis on post-mortem photography.