The Ideological Work of Commemoration
By Jamie Swift In the 1985 Argentinian film, The Official Story, one of the characters, a student, angrily proclaims that his country’s history textbooks had been “written by assassins.” Stories, as we know, vary considerably in the telling. The dominant narrative – to use the now shopworn term – tends to be recounted by the loudest voices. Hardly assassins. But… Read more »