Tag Archives: film

History Slam Episode 134: Advocate

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http://activehistory.ca/wp-content/uploads/2019/09/History-Slam-134.mp3Podcast: Play in new window | DownloadBy Sean Graham Since I started doing the podcast back in 2012, there have been a lot of topics and discussions that have surprised me. Perhaps nothing was as surprising, though, as when I learned of the new documentary Advocate, which premiered earlier this year. The film tells the story of Lea Tsemel, an… Read more »

Archivists In The Movies – Star Wars II: Attack of the Clones

Krista McCracken Anyone else remember The Librarians TV series? I’ll openly admit that I started watching it because the show was focused on library professionals, albeit librarians of a magical library. If there was a show called The Archivists, I would be championing it before it even aired. A lot of people have no idea what an archivist does, and… Read more »

From Salò to Cult: Sadism, Terror, and Fascism in Fiction

Alban Bargain-Villéger Salò. It was this laconic, almost interjective title that first caught my eye. In the stifling Parisian heat of July 2002, somewhere in the Halles neighbourhood, the poster appeared in a surreal haze. A bridal party of dejected youths, the bride and groom dressed for the occasion, the rest stark-naked, advanced, seemingly resigned to their doom. Then the… Read more »

From Reel to Real: Using Film to teach Labour History

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John-Henry Harter During my undergraduate degree I had an epiphany in the only labour history class offered at my university. Here being taught in this class was my history, my own lived experience. More broadly, it was an acknowledgement and validation that the working class mattered. As a mature student, I had worked for years before entering post-secondary and had… Read more »

Religion and Auteurism in The Revenant

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What are the problems and possibilities of Hollywood history? ActiveHistory is pleased to feature a four-essay forum on The Revenant, a 2015 Hollywood historical epic set against the backdrop of the early 1800s North American fur trade. As a primer, we recommend reading Stacy Nation-Knapper’s excellent review from earlier this year. Benjamin Bryce and Anna Casas Aguilar The Revenant is loosely… Read more »

The True Revenants of a Buried Past

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What are the problems and possibilities of Hollywood history? ActiveHistory is pleased to feature a four-essay forum on The Revenant, a 2015 Hollywood historical epic set against the backdrop of the early 1800s North American fur trade. As a primer, we recommend reading Stacy Nation-Knapper’s excellent review from earlier this year. Michel Bouchard The Revenant is the latest of ghostly resurrections… Read more »

Hugh Glass: The Evolution of a Legend

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What are the problems and possibilities of Hollywood history? ActiveHistory is pleased to feature a four-essay forum on The Revenant, a 2015 Hollywood historical epic set against the backdrop of the early 1800s North American fur trade. As a primer, we recommend reading Stacy Nation-Knapper’s excellent review from earlier this year. Claire Kaufman The fur trader and mountain man Hugh Glass… Read more »

Film Friday: Suffrage Stories Without Class

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Joan Sangster A friend who teaches the history of feminism in Canada recently relayed her students’ responses to the British movie Suffragette. Many found the women heroic, the film “moving” and uplifting. They then described their image of Canadian suffragists: narrow-minded, “classist” and racist, not very radical, hardly inspiring role models. Their negative image of early Canadian feminists does not… Read more »

Film: Mary Ann Shadd Revisited: Echoes from an Old House

This film, by Allison Margot Smith, is about a collection of letters to and from African American abolitionist Mary Ann Shadd between 1851 and 1863 – years that she lived in Canada. The letters were left in her house near Chatham Ontario when she returned to the U.S.A. and were eventually forgotten. They were accidentally rediscovered in 1974 by the… Read more »

Film Friday: The Revenant is Beautiful, Disappointing Art

Stacy Nation-Knapper The Revenant is not history. Yes, as the film trailers, posters, and advertisements boast, the film was “inspired by true events” and it represents an amalgam of multiple historic fur trade events during the years 1820-24, and fantasy. Most of the non-Indigenous characters in the film existed. Other writers, including Clay Landry for the Museum of the Mountain… Read more »