By Alisha Stranges and Elspeth H. Brown

T’Hayla Ferguson, digital illustration by Ayo Tsalithaba for The Pussy Palace Oral History Project, LGBTQ Oral History Digital Collaboratory. 2025.
“I think the intention was to make women’s sexuality and women’s play just normal. Not such a sideshow. We want to have a place to go and get naked and fuck and play, and it not be unusual.”
-T’Hayla Ferguson, Pussy Palace Patron
The Pussy Palace was built by naming things that were not supposed to be said out loud. From its earliest moments, the project challenged dominant ideas about women’s sexuality, public sex, and who bathhouse culture was for. But the Palace did not emerge fully formed as a radical, inclusive utopia. It was assembled through improvisation, disagreement, and ongoing negotiation. Inclusion was not a settled principle, but an aspiration—one that required constant work, generated conflict, and exposed the limits of what a single space could hold.
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