This interview originally between Christine Chevalier-Caron and Webster appeared in French on Histoire Engagée. Translated by Thomas Peace. A few months ago, I had the chance to interview the inspirational Aly Ndiaye, better known as Webster. Growing up in the Quebec City neighbourhood of Limoilou, this Sénéquéb métis pure laine began to rap in 1995. Passionate about history, Webster’s work has… Read more »
On December 8, 2012, Accents on Eglinton, a community bookstore that specializes in publications on Africa and its diasporas, along with host Francesca D’Amico (PhD candidate in music history at York University), hosted an evening with Dalton Higgins, award-winning journalist, radio and TV broadcaster, to discuss his latest book Far From Over: The Music and Life of Drake (ECW Press)…. Read more »
On Saturday December 8th at 7pm, please join Accents on Eglinton and host Francesca D’Amico (York University PhD candidate in music history) for an evening with Dalton Higgins, award-winning journalist, radio and TV broadcaster, to discuss his latest book Far From Over: The Music and Life of Drake (ECW Press). Higgins and D’Amico will engage in a conversation intended to… Read more »
By Francesca D’Amico When The Sugarhill Gang wrote and recorded “Rapper’s Delight” in 1979, little did they know that this single-take recording would serve as a template for establishing an audience and market for Hip Hop, and would also mark the beginning of their thirty year-long battle with contractual turmoil. This story is not new to African American artists. Rather,… Read more »
While Hip Hop’s socio-political consciousness has faded, the examples in this post denote that it is not dead. However, even as some employ its ethos to confront material realities, others invest only it its promise of wealth, power and pleasure. Thus the reason why the time is ripe for this reminder: Hip Hop wields much power, but with that power comes responsibility.