Kaiti Hannah There is an ongoing debate in the field of public history regarding the acceptability of taking photographs in museums. Though history museums seem to be leaning more towards allowing or even actively encouraging photography in their galleries, there are many who object to this phenomenon. Open up any think piece about Millennials and you’re sure to see complaints… Read more »
By Claire L. Halstead At first glance, these first three photos seem unrelated. The first shows a woman standing with newly-arrived immigrants at Pier 21 in Halifax in 1935. The second captures two women collecting water by chopping ice in Sinnett, rural Saskatchewan in 1942. The third, from Bonavista Bay, Newfoundland in 1979, shows a woman and two children in… Read more »
Jay Young with Alison Little Family Focus: Early Portrait Photography at the Archives of Ontario is a free photography exhibit on display at the John B. Aird Gallery in Toronto, from June 27 to July 21. The exhibit, part of the Archives of Ontario’s Ontario150 programming, features 15 original and 45 reproduction photos from the late 19th century that depict… Read more »
By Eric Wright Disclaimer: I am an athlete and sports fan, despite what this article may lead you to believe. The 2014 Sochi Winter Olympics has been embroiled in controversy from the start. The games will be the most corrupt in history based on dollar value, with an estimated one third of the games’ $51 billion price tag attributable to… Read more »
From May 13-19, Toronto’s City Hall will feature “The Portuguese in Toronto,” a free photo exhibit. What follows are some reflections on how historians can engage with the public by one of the exhibit’s organizers. Raphael Costa On May 13, 2013, the Portuguese Canadian History Project’s (PCHP) photographic exhibit celebrating the sixtieth anniversary of mass Portuguese migration to Canada will… Read more »
By Kaitlin Wainwright At December’s public consultations on the new Museum of Canadian History, Sean Kheraj, an assistant professor of history at York University, made a comment that stuck with me: by commemorating moments in history we actually learn as much about our present as our past. In trying to see the past through a contemporary lens, we blur history… Read more »
By Daniel Macfarlane A picture might be worth a thousand words; but great photos combined with a hundred thousand words can be even more powerful. And that’s what this post is about: the power of photography and art, doing history, and the benefits of collaboration. The subject of my doctoral dissertation, finished almost two years, was the creation of the… Read more »
A reflection of Leni Riefenstahl’s “The Last of the Nuba,” which was designed as coffee table book when it was first published. By owning The Last of the Nuba does one own the last of the Nuba? Does one own a little slice of unspoiled African civilization? Is this more than a coffee table book? The author explores these questions.
A brief discussion historicizing colour and non-colour photography.