By Tina Loo
“The bigger-is-better approach to art is best left to Stalinist tyrants, theme-park entrepreneurs and insecure municipalities hoping to waylay bored drive-by tourists…. A brutal megalith doesn’t prompt individual introspection – it mocks it. And by defiling a quiet beauty spot with its grandiose bulk, Mother Canada will only diminish the heritage it claims to honour.”
– Globe and Mail editorial, 23 June 2015
“It’s great. It’s good. We need it. Maybe we can get the frigging highway fixed.”
– Glenn Warren, Ingonish, 7 March 2014
In the last few months, the media has been filled with reports and opinions about “Mother Canada,” the twenty-four metre high statue proposed by the Never Forgotten National Memorial Foundation (NFNMF) to commemorate the country’s war dead. Part of the reaction has focused on the site of the statue, at Green Cove, in Cape Breton Highlands National Park, an area whose natural beauty and ecological integrity some feel would be severely compromised by the memorial. To them, Mother Canada is “hubristic, ugly, and just plain wrong.”