In January, the Graphic History Collective (GHC) launched Remember | Resist | Redraw: A Radical History Poster Project to intervene in the Canada 150 conversation. Earlier this week we released Poster #08 by Jesse Thistle and Jerry Thistle. The poster beautifully illustrates the terror of the Battle of Batoche from the perspective of their Métis Kokum, Marianne Morrissette, née Ledoux…. Read more »
By John D. Pihach Robert Armstrong, celebrated as a Canadian hero in 1885, is largely forgotten today. That transition from national hero to obscure historical figure is challenged in Mudeater: An American Buffalo Hunter and the Surrender of Louis Riel, (University of Regina Press, 2017) which puts him in the spotlight for the second time. Born in Kansas in 1849, Armstrong spent… Read more »
Travis Hay Thunder Bay, Ontario is a city well-known for a particularly explicit form of anti-Indigenous racism.[1] Unlike more southern and urban locales where anti-Indigeneity is predominantly expressed as erasure, the social structures of feeling that exist in Thunder Bay are informed by a close proximity to Fort William First Nation (FWFN) – a community located adjacently to the city…. Read more »
Sean Carleton Despite growing up near St. Paul’s Indian Residential School in North Vancouver, I did not learn about residential schools as a child. I did not learn about Chanie Wenjack (misnamed “Charlie” by his teachers), a 12-year-old Anishinaabe boy who ran away from the Cecilia Jeffery Indian Residential School in Kenora, Ontario in October 1966. It was not until… Read more »
What are the problems and possibilities of Hollywood history? ActiveHistory is pleased to feature a four-essay forum on The Revenant, a 2015 Hollywood historical epic set against the backdrop of the early 1800s North American fur trade. As a primer, we recommend reading Stacy Nation-Knapper’s excellent review from earlier this year. Claire Kaufman The fur trader and mountain man Hugh Glass… Read more »
What are the problems and possibilities of Hollywood history? ActiveHistory is pleased to feature a four-essay forum on The Revenant, a 2015 Hollywood historical epic set against the backdrop of the early 1800s North American fur trade. As a primer, we recommend reading Stacy Nation-Knapper’s excellent review from earlier this year. Ted Binnema The Revenant’s trailer indicates that the movie is… Read more »
By Thomas Peace Pour assurer notre existence, il faut nous cramponner à la terre, et léguer à nos enfants la langue de nos ancetres et la propriété du sol [1] These words captivated my attention a few months ago as I walked across Parc Montmorency, the site of the old parliament buildings in Quebec City. They are found on the footing… Read more »
By William Wicken Last week the Supreme Court of Canada released its decision in the Daniels vs. Canada case. Writing for the court, Justice Abella declared that ‘Métis and non-status Indians are “Indians” under section 91(24).’ Much has already been written about the decision and its possible implications. Less well known are the historical arguments which were the foundation of… Read more »
By Lynn Gehl In the Anishinaabeg tradition dibaajimowinan, which translates to personal storytelling, is valued as a valid and legitimate method of both gaining and conveying knowledge. The dibaajimowinan method is holistic in that it values knowledge that is more than what is rational: it is emotional and spiritual too. As most know, the oral tradition was recognized in the… Read more »
Stacy Nation-Knapper The Revenant is not history. Yes, as the film trailers, posters, and advertisements boast, the film was “inspired by true events” and it represents an amalgam of multiple historic fur trade events during the years 1820-24, and fantasy. Most of the non-Indigenous characters in the film existed. Other writers, including Clay Landry for the Museum of the Mountain… Read more »
