Tag Archives: art

History Slam 209: The Impact of R. Buckminster Fuller’s Visit to London in From Remote Stars

https://activehistory.ca/wp-content/uploads/2022/04/History-Slam-209.mp3Podcast: Play in new window | DownloadBy Sean Graham In 1968, American architect R. Buckminster Fuller visited London, Ontario. Known for his geodesic domes, Fuller spent his time in the city meeting with students, artists, and industrial planners at Western. For years, Fuller’s visit has been part of the city’s lore, a moment in time where the city attracted praise… Read more »

Remember/Resist/Redraw #25: “We won’t be quiet until we get the Special Diet!”

Earlier this month, the Graphic History Collective released Remember/Resist/Redraw #25. The poster looks at the Ontario Coalition Against Poverty’s successful 2009 struggle to increase access to the Special Diet benefit, an additional $250 for those living on social assistance to purchase food. With art by Rocky Dobey and an essay by John Clarke, the poster highlights the power of poor… Read more »

Art as Prescience: Reflections on Sarah Beck’s 2001 ÖDE

By Laura Brandon Editors’ Preface Two new exhibits were recently opened at the University of Calgary’s Founders’ Gallery in The Military Museums. Gassed Redux is a live recreation of John Singer Sargent’s oil painting Gassed, which depicts victims of a 1918 gas attack on the Western Front.[1] The exhibit was mounted this past June 14th by artist Adad Hannah, and… Read more »

Remembering Colville: Genius and the Politics of Art History

By Andrew Nurse By all accounts the 2014-5 Alex Colville retrospective — staged first by the AGO — was a monumental success. From its beginning, the exhibition appears to have been conceived as a “blockbuster”: a large-scale exhibition that attracts a viewing public far beyond that which normally visits art galleries. Such exhibitions are reserved for the “superstars” of the… Read more »

History Slam Episode 106: Hunting Nazi Treasure

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https://activehistory.ca/wp-content/uploads/2017/10/History-Slam-106-Nazi-Treasure.mp3Podcast: Play in new window | DownloadBy Sean Graham Adolf Hitler was a well-known lover of art and throughout his time as Chancellor of Germany, oversaw a large-scale program to create one of the largest art collections the world has ever known. Some of these pieces were purchased while others were stolen. But regardless of how they were acquired, they… Read more »

History Slam Episode 105: Shadow Red

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https://activehistory.ca/wp-content/uploads/2017/09/History-Slam-105.mp3Podcast: Play in new window | DownloadBy Sean Graham 2017 is the 100th anniversary of Tom Thomson’s death. Earlier this year, I talked with Gregory Klages about Thomson’s death and the many theories that have surrounded it for the past century. But that’s not all that’s been going on to mark the event. Last Thursday, a new art exhibition opened… Read more »

Remember / Resist / Redraw #09: Ts’Peten 1995

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In January, the Graphic History Collective (GHC) launched Remember | Resist | Redraw: A Radical History Poster Project to intervene in the Canada 150 conversation. Earlier this month (just after BC Day) we released Poster #09 by Gord Hill, which looks at when the RCMP attacked Secwepmec land defenders in the interior of British Columbia in the summer of 1995…. Read more »

Remember / Resist / Redraw #07: John A. Macdonald’s Role in Residential Schooling

In January, the Graphic History Collective (GHC) launched Remember | Resist | Redraw: A Radical History Poster Project to intervene in the Canada 150 conversation. Earlier this month we released Poster #07 by Sean Carleton and Crystal Gail Fraser, which was published on Canada Day in conjunction with Idle No More’s Unsettling Canada: a Call to Action. The poster examines… Read more »

The Robert Harris group portrait

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This is the fourteenth post in a two week series in partnership with Canada Watch on the Confederation Debates By Ged Martin The founding, in 1880, of the Royal Canadian Academy of the Arts no doubt represented a landmark in recognition and encouragement of the visual arts in the Dominion. Unfortunately, it was not easy to advance its cultural agenda, especially the central… Read more »

Golgotha?: D. Y. Cameron’s Flanders from Kemmel

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By Laura Brandon One of the aspects of war art that continues to surprise me is how personal it ultimately is. Any painting, however objectively representative of events it may purport to be, in it carries some measure of the artist’s subjective response to the incident, place, or person depicted. Furthermore, it is influenced by the artist’s personal circumstances and… Read more »