Sarah Glassford, Christopher Schultz, Nathan Smith, and Jonathan Weier

Our widget image is A.Y. Jackson’s, “A Copse, Evening, 1918.”
Following a call for submissions, the Canada’s First World War series on ActiveHistory.ca began with a post by Nathan Smith in August 2014 – exactly a century after the outbreak of the Great War. Since that time, the series has posted 40 pieces, including this one. The posts cover topics ranging from present-day commemorative efforts to actresses’ wartime work. You can see a list of these posts via the widget on the Active History main page. On the occasion of the second anniversary of launching our series, this post reflects on how it has evolved thus far, and some of the odd parallels we are encountering between the series and the Great War itself.

The image we used in our Call for Blog Posts, two years ago, is Harold H. Piffard’s His Constant Companion. It first appeared in Canada in Khaki, No. 2. (London: The Pictorial Newspaper Co. for the Canadian War Records Office, 1917).
At its outset, the series began as a platform from which to present alternative perspectives on the First World War, its legacy, and its commemoration. A pressing issue was to avoid the usual deluge of patriotic sentiment surrounding any military commemoration, and instead expand the focus beyond nationalistic parables and situate it within a more global context. Ironically, that would also come to mean acknowledging the many individual stories, each unique and nuanced, traditionally subsumed by national narratives. Ultimately, too, we wanted to remind Canadians of aspects of the war that were either forgotten, ignored or buried, and expand the Canadian story into areas often given short shrift.