Active History

“We Meant War Not Murder”: A Punk Rock History of Klatsassin and the Tsilhqot’in War of 1864

October 23, 2014 3 Comments

By Sean Carleton

Vancouver punk band The Rebel Spell are touring across Canada this fall to promote their new record, Last Run. Released in late September, Last Run showcases the band’s song-writing skills and passion for social justice. What is most interesting for ActiveHistory.ca readers, however, is the fact that The Rebel Spell have included a song on their album about a historical event: the little-known Tsilhqot’in War in the colony of British Columbia in 1864. The song “The Tsilhqot’in War” commemorates the 150^th anniversary of a significant moment in Canada’s colonial history that does not generally receive a lot of popular attention (see the Further Reading section below for some notable exceptions).

The Tsilhqot’in War was a conflict between Indigenous peoples of the Tsilhqot’in Nation in the interior plateau of the colony of British Columbia and a crew of construction workers building a road from Bute Inlet to the goldfields in the Cariboo. In the early 1860s, politician Alfred Waddington sponsored the building of an alternative route to the Cariboo goldfields to compete with the established Fraser Canyon road. Construction on the alternative route began in 1862 without proper consultation of the Indigenous peoples whose territories the road would travel. In that same year, a devastating smallpox epidemic, introduced by settlers, spread throughout the Pacific Northwest killing many Tsilhqot’in peoples. Continue reading →

The Home Archivist – The Grand Seduction

October 22, 2014 2 Comments

By Jessica Dunkin

In the series’ inaugural post, I gave readers a brief overview of The Home Archivist, a project in which I—a professional historian—process and arrange a collection of nineteenth-century letters. The context in which a collection was produced, what archivists refer to as provenance, is central to these practices of processing and arranging historical documents. But what of the context in which the archivist themself encounters a collection? In this second post, I describe the circumstances of my introduction to the letters and the world I inhabit as I work with them. Whenever I open the box or think about the letters, I am connecting with the MacKendricks, the cottage at Windermere, and the canoeing encampments that brought us all together.

In late March 2014, I found myself kneeling on the carpeted floor of a bright sitting room in Milford, Connecticut, the Long Island Sound visible through the side window. In front of me was a dusty cardboard box that had spent much of the last century squirreled away in basements and attics, a repository for family letters. A first glance revealed deep discolouration, gouges on two sides of the box, and two labels on the top flaps. The box’s owners and my hosts, Bob and Marge MacKendrick, explained that the stains were from the fire that tore through the family home in Galt, Ontario, many years ago. There is no explanation for the gouges. They were likely sustained during one of the box’s many moves. The labels, meanwhile, indicate that The Robert Simpson Company sent Mrs. J.A. MacKendrick (Amelia) an item on September 24, 1918, and that the express charges for the shipping were pre-paid.

My relationship with this box of letters began in August 2013 at the Muskoka Boat and Heritage Centre (Gravenhurst, Ontario) when I was introduced to the MacKendricks. Continue reading →

World War One in Winnipeg – Conscription

October 21, 2014 3 Comments

By Jim Blanchard

It is well known that the adoption of conscription in Canada during the First World War was very unpopular in Quebec. Although many Quebecois volunteered to serve in the army in the first years of the war, large numbers of French Canadians disagreed with sending troops overseas when the country did not seem to be threatened.

What is less known is the fact that Canadians in the rest of the country also opposed conscription. Winnipeg was no exception and there was a good deal of resistance in the city. Continue reading →

How Should We Measure Climate Change? What the Past Can Tell Us

October 20, 2014 2 Comments

Protests during Climate Summit 2014. Photo by Jane Marchant.

By Dagomar Degroot

Last month, world leaders met at UN Headquarters in New York City for Climate Summit 2014. As protests raged across the globe, diplomats established the framework for a major climate change agreement next year. The aim will be to limit anthropogenic warming to no more than 2 °C, a threshold established by scientists and policymakers, beyond which climate change is increasingly dangerous and unpredictable.

Just days after the 2014 summit, policy expert David Victor and influential astrophysicist Charles Kennel published an article in Nature that called on governments to “ditch the 2 °C warming goal.” Kennel and Victor argue that the rise in average global temperatures has stalled since 1998, as warming is increasingly absorbed by the world’s oceans. Variations in global temperature therefore do not directly reflect climate change, and governments should adopt other benchmarks for action. Atmospheric concentrations of carbon dioxide, they contend, more accurately reveal the relentless advance of climate change. In any case, limiting the rise in global temperatures to just 2 °C would impose unrealistic costs on national economies.

Not surprisingly, responses to Victor and Kennel have been swift and comprehensive. For example, physicist and oceanographer Stefan Rahmstorf argues that short-term temperature variability does not undermine the case for a 2 °C limit, especially when there is scant evidence for a “pause” in global warming. He explains how scientists and policymakers selected the limit, and cites studies synthesized by the IPCC, which conclude that holding the rise in planetary temperatures to 2 °C would cost no more than 0.06% of the world’s annual GDP. Kevin Anderson, Deputy Director of the Tyndall Centre for Climate Change Research, claims that Victor and Kennel have confused the roles that should be pursued by scientists in international climate change negotiations. Like Rahmstorf, he maintains that the 2 °C limit is neither misplaced nor unachievable. As a climate change advisor to the British government, he explains that, “the UK, almost overnight, conjured up over £350b to bail out the banks and stimulate the economy – but it has earmarked just £3.8b for its Green investment bank!” Physicist Joe Romm argues that a new study, which finds that scientists may have underestimated the extent of global warming, only strengthens the case for a 2 °C limit. To their credit, Victor and Kennel provide a lengthy response in the New York Times to these and other critiques.

Continue reading →

Video – Eroding Democracy: Canada’s Public Science Policy in a New Regime of Governance

October 17, 2014 No Comments

On Tuesday May 27, 2014 as part of Congress 2014, a panel discussed the current government’s science policy, access to information, the ability of government scientists to communicate freely with each other, the public, and the media. This cross-disciplinary panel was jointly hosted by the Canadian Association of Professional Academic Librarians, Canadian Population Society, Canadian Society for the History and Philosophy of Science, Canadian Society for the Study of Education, and the Canadian Sociological Association.

Panelists included Dr. Janet Friskney, Past-President of the Bibliographical Society of Canada, Dr. James Turk, Executive Director of the Canadian Association of University Teachers, and author and artist Franke James.

Activehistory.ca is pleased to present a video of the session.

Best Practices for Writing History on the Web

October 16, 2014 15 Comments

Tablet Reading. Source: Pabak Sarkar, Flickr Commons

By Sean Kheraj

As more of our reading moves from print to screens, learning how to write on the Web will become an increasingly important part of history writing skills. Just as we teach fundamental research and writing skills for print essays, we will likely begin to teach digital writing skills for the Web. Writing for the Web will also become an important component of teaching public history (as it has already).

These are some of the assumptions that have informed my current course on the history of Toronto at York University. I have asked students to write a Web essay for their Fall semester assignment, using WordPress on a course site that I set up at DevelopmentofToronto.com. This is not a unique or revolutionary idea. I have known several colleagues who have had students write Web essays and I have had students write optional Web assignments in the past. This is the first time that I will be asking all students in the class to write Web essays. As such, it is an opportunity to think about how to teach specific Web-based history writing skills.

I chose WordPress for a number of technical reasons, but mainly because I have been writing and editing history on the Web in WordPress for several years now at SeanKheraj.com, ActiveHistory.ca, and NiCHE-Canada.org. In my experience, I have identified a number of key skills for history writing on the Web. However, I am still looking for more ideas to generate a good list of best practices (please post in the comments). Here are some best practices that I have developed over the course of my own experience writing history on the Web: Continue reading →

History Slam Episode Fifty-Three: What to Wear to the Birth of a Nation

October 15, 2014 4 Comments

Podcast: Play in new window | Download

By Sean Graham

The story has been told thousands of time in the same way: the Fathers of Confederation met in Charlottetown and Quebec in 1864 and laid the groundwork for Confederation. These were men of vision who, according the video shown at the PEI legislature, had few major disagreements and passed the time in congenial discussions while crafting the framework for the new nation. From George Brown to George-Étienne Cartier to John A. Macdonald, Canada was born out of the minds of the men who convened in 1864. Or at least that is the interpretation presented to grade-school kids across the country.

But why stick to that narrative? This doesn’t necessarily mean we have to denigrate the Fathers of Confederation (based on the over-the-top interpretation of the aforementioned video, such a task would be impossible), but we can at least look at the years and events leading to Confederation from a different perspective – although this one may be historically problematic.

Through the summer Prince Edward Island held a variety of celebratory events commemorating the 15oth anniversary of the Charlottetown Conference. The celebrations ranged from musical acts to visual art to culinary displays and went beyond merely telling the story of what happened in 1864. In a lot of ways it was really a celebration of the province as a whole and its place within Canada.

One aspect of the celebration that did re-visit the Charlottetown Conference, however, was the theatrical production ‘What to Wear to the Birth of a Nation.’ Written and performed by Laurie Campbell and Rebecca Parent, the show looked at the Conference from the perspective of the women who were on hand in Charlottetown. From their perceptions of a new nation to the daily realities of summer in PEI, the show examines these women’s presence and sheds light on the contributions that have not made it into the traditional narrative of the nation’s birth.
Continue reading →

Anti-War Poetry in Canadian Newspapers at the Beginning of the First World War

October 14, 2014 2 Comments

Though scenes of young men lined up at recruiting offices like this one in Toronto were common enough across Canada in the early days of the war, the First World War was also met with a great degree of apprehension in the public pages of its newspapers. Source: Wikipedia Commons

By Russ Chamberlayne

The war fever has reached an acute stage. It has now attacked the poets.
– “Pertinent and Impertinent,” Calgary Daily Herald, August 4th, 1914

Readers of ActiveHistory.ca may be surprised at the deeply emotional and mixed reactions to the opening of World War I in Canadian newspapers, and the forms they took. While many have described the patriotic response to war in Canada, the early days of war were met with greater ambivalence than is usually assumed. The Calgary Daily Herald and the Manitoba (now Winnipeg) Free Press were two of Canada’s major papers that published poetry to evoke the anti-war feelings of Canadians.

A century ago, poetry was a popular literary form that appeared in various sections of newspapers. In August 1914, as war broke out in Europe, editorial pages showed support in verse form for British imperial loyalty, justice for Belgium and other seemingly principled tenets that supported waging war. Drawing on traditions from past wars, editors also chose poetry that centred on more individual virtues, like duty, courage, sacrifice and glory. However, newspapers like the Herald also expressed fear and sorrow at the outset of the fighting.

On August 8th, 1914, the Herald published the poem “The Wail of the Mothers” with its repeated line, “Oh, give me back my son!” In its August 29th pages, another poem, titled “Peace!” opened with these lines:

Great God of Peace and Love, how long shall man
Shed blood of man for paltry pomp of power,
And earth be rife with warfare, and the land
Filled with the tears of widowed hearts, that cry
To Thee in bitter agony for aid?

Continue reading →

Passage to Promise Land: Voices of Chinese Immigrant Women to Canada, by Vivienne Poy

October 10, 2014 No Comments

By Cristina Pietropaolo

Passage to Promise Land: Voices of Chinese Immigrant Women to Canada is a thoroughly researched and eloquent documentation of the experiences of twenty-eight women of different ages (the oldest in their nineties and the youngest in their thirties) who emigrated from the southern coastal region of China to Canada between 1950 and 1990. Vivienne Poy, an historian, entrepreneur, and former member of the Senate, began the book as an extension of her doctoral research about the agency of Chinese women immigrants and the choices they were able to make for themselves and their families. The women in her book, she argues, were determined and able to navigate their own futures. She also notes that for earlier generations of Chinese women, leaving China gave a certain sense of empowerment and a release from the cultural traditions that dictated so much of their lives; that while complex and difficult to negotiate, immigration could also be empowering and full of opportunity. More…

Graphic Environmentalism: An Interview with Comic Writer-Artist Steph Hill

October 9, 2014 No Comments

Hill comic Previous Active History posts (see here, here, and here) have examined the use of comics in telling – and interpreting – stories about the past. In this post, Ryan O’Connor (RO) interviews Steph Hill (SH), the writer-artist behind A Brief, Accurate Graphic History of the Environmental Movement (Mostly in Canada).

RO: This is a really interesting project. What is it that drew you to creating a graphic history of the environmental movement?

SH: I had the idea when I started canvassing for an activist group here in Vancouver. We were going door to door around the BC election, and I was surprised at how often the people I was walking with knew pieces of environmental history, but not the general story. I thought it would be neat if you could give someone a short summary of what environmental activists had started off doing, where they had succeeded and where they had failed. Actually, that was my second thought. My first thought was an in-depth series of case studies of environmental campaigns that succeeded and failed, but that’s more of a book than a booklet.

RO: What are the advantages of telling this sort of story in this medium?

SH: Since my goal (assuming people actually read the thing) was to give both a brief and accurate primer to environmental history, the comic format made it possible to take in a topic more or less at a glance. One page per decade or issue. If I’d really been thinking I would have put taglines on each page, too. “The eighties: Eco goes corporate!” And, at the risk of sounding flippant, I find it easier to make jokes in comics than in writing. Continue reading →

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