Filmmakers make bad historians. While it is well understood that historically-based movies should not be taken for fact, film continues to play a major role in forming public perceptions of the past. Historians, realizing this phenomenon, often get caught up in the details of where film goes wrong, without fully understanding why these flaws matter. The mistakes made in movies are especially significant in films about politicians, like 2017’s Darkest Hour and Churchill, because they suggest that “Big Men” make history while the rest of the world watches and supports them. This fictional structure influences dangerously how we engage with today’s political leaders.
According to Winston Churchill’s critics, Britain’s 61st Prime Minister was “aristocratic, high-handed, self-centred, energetic, impatient, inconsistent, prone to rhetoric… [and] most stubborn.”[1] Alternatively, Churchill’s champions have called him “a true case of genius” with “shattering” personality. [2] To this day, Winston Churchill remains one of the most written about historical figures of the twentieth century. In addition, the Prime Minister has appeared in over eighty films in the past eighty years. Two new films, Darkest Hour and Churchill, hit the big screen in 2017 and focused on Churchill’s actions during the Second World War. In the wake of a year that saw the rise of the far right in countries including France, Australia, and the United States, it is unsurprising that audiences would respond to films about one of history’s most famous antifascists. However, Churchill’s re-creation on film misrepresents his actions and popularity, and diminishes the public’s place in the narrative—putting power solely in the hands of an old, rich, white, stubborn man. Sound familiar? Continue reading