Where have all the Suffragists gone? Deconstructing Children’s History Books

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Samantha Cutrara

As a scholar interested in teaching and learning Canadian history, I am embarking on a series of blog posts for Active History about the representation of the post-confederation period (1867-1920) in picture books for children ages 4 to 10. In my last post, I looked at the history of residential schools and used a list published by the CBC as a starting place for finding children’s books that explored these stories.

In this post, coinciding with International Women’s Day today, I want to look at a topic that I thought would be far easier: women’s suffrage. (For a historical overview of women’s suffrage in Canada, see the Canadian Encyclopedia entry “Women’s Suffrage in Canada” written by Veronica Strong-Boag).

I was interested in the representation of Canadian women’s activism throughout the 19th and early 20th centuries and question if these books, like the textbooks Rose Fine-Meyer explored for her CHEA paper “’A reward for working in the fields and factories’: Canadian women’s suffrage movement as portrayed in Ontario texts,” would be written with the narrative that women were “given” the vote as an corollary to war or, more accurately, if the fight for women’s suffrage was shown as being decades in the making by the time the Great War started?

Would all the books tell the same story or would authors present the histories as coming from different points of view? Would issues related to race and class be presented or would these ‘messy’ parts of the past be glossed over for young audiences? And, like my findings for the residential schools books, would these histories present disenfranchisement as being the result of individual actions or would the nation be shown as continuously supressing women’s activism and voting rights?

My expectation was that there would be a plenty of picture books on women’s suffrage and, while telling a very similar narrative of fight and success, these books would end with reference to the unequal nature of early activism.

I was wrong. Continue reading →

Canada’s Third Largest (and most forgotten) Centennial Event: “Second Century Week” at the University of Alberta, March 1967

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By Sarah Carter

The Front Page of The Gateway, 10 March 1967. Richard Price (U of A Students’ Union President) and Daniel LaTouche (spokesperson for Union Genérale des Etudiants du Québec) are pictured.

“Second Century Week” (SCW) took place fifty years ago, from March 6 – 11, 1967 at the University of Alberta.[1] It was Canada’s third largest centennial event, ranked only below Expo ’67 and the Pan-American Games. Involving students from more than 50 universities, colleges and technical schools, it was “the most ambitious inter-university program ever undertaken in Canada,” designed to bring together students from across Canada, the future leaders of the nation, and to establish a dialogue, particularly among French and English speaking students. In the fall of 1966 organizer and University of Alberta law student David Estrin said that the event was to be the “largest and most representative gathering of Canadian University students ever.” [2] Another goal was to showcase the “activities, thoughts, aspirations and potential of her youth.” Canada’s leading artists and intellectuals would share their work and discuss the future of the country with students. SCW also included a “mammoth sporting event” with more than 700 student athletes. SCW was to unite “town and gown” and appeal to the general public.

Estrin had big plans and dreams for the event. There was to be art, poetry, photography, music, films and plays from across Canada by established artists and students. But the main goal according to Estrin was to “discuss issues which divide the nation.” Continue reading →

Gun Rights in Canada: An Exchange

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(Sometimes differences on historical issues cannot be contained in the comments section. This exchange follows up on an earlier post by R. Blake Brown on gun rights in Canada. A response to that post by John Robson, and Brown’s reply, follow. We would like to thank our two authors for their willingness to participate in this sort of exchange.)

John Robson, left, and R. Blake Brown

John Robson’s response:

It is flattering that R. Blake Brown responded on Activehistory to my recent article “The Right to Bear Arms” published in the Autumn/Winter 2016 Dorchester Review, to which I am a contributing editor. His Arming and Disarming is a scrupulously researched book I found helpful in the documentary from which my article was drawn. But I must protest that he misrepresents my argument in several important ways.

He expends considerable energy demolishing the claim that Canadians today enjoy a constitutionally protected right to bear arms enforceable through the courts. But I never made any such assertion. In the documentary we show the opposite, in part citing the case involving Donna and Bruce Montague that he also mentions. And I make it plain throughout the Dorchester Review piece that such a claim is now met with derision and bafflement particularly within the Canadian government. (Which, it seems necessary to stress in the face of frequent media references to “the government” losing a court case, is expressly declared in the Constitution Act 1867 to consist of three branches, the executive, legislative and judiciary.)

What I do say, and here Brown misrepresents my argument largely by omission, is that we did long enjoy this right as part of a robust protection of individual rights inherited from Britain that was the foundation of our success as a nation. If we have recently discarded that inheritance, on matters from free speech to property to self-defence, we ought at least to acknowledge that doing so represents a dramatic change of course even if we support that change. Continue reading →

Let’s Not Underestimate the Victorians: Interpreting the Evolution of Animal Welfare and Rights

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Editor’s note: This is the first in a series of posts from contributors to Animal Metropolis: Histories of Human-Animal Relations in Urban Canada (University of Calgary Press, 2017). In each entry, the contributors use their own chapters as the basis for wider discussions about contemporary developments that highlight the complex interactions between humans and animals. The editors of ActiveHistory.ca are pleased to publish these pieces that originally appeared in late February in The Otter, the blog of the Network in Canadian History & the Environment.  In this first post, Darcy Ingram speaks to strategies in the animal rights movement.

Ottawa Ribfest BBQ menus, https://www.flickr.com/photos/michaelnugent/740989558

Every year in June the Ottawa RibFest takes place along Sparks Street, a block from Parliament Hill. And every year that event gives animal rights protesters a perfect opportunity to express their views. A Huffington Post Québec article offers a good indication of the 2016 response from PETA: identity inverted, a fleshy female protester is transformed into a fleshy animal on the grill. A roast to roast the RibFest.[1]

This is the kind of powerful imagery charged with sexuality and violence for which PETA has become infamous. It is also part of what presumably separates the modern animal rights movement from that of its predecessor, the animal welfare movement, which traces its origins to the eighteenth century and which blossomed in the Victorian era. Continue reading →

History Slam Episode Ninety-Four: Surprising Deaths of the 20th Century

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By Sean Graham

“Let’s not forget why these babies are here…they’re here to replace us. That is what they are doing. They are cute, they are cuddly, they are sweet, and they want you out of the way. Next time you’re around a baby look in those sweet little baby eyes, you’ll see one thought: only a matter of time my friend.” -Jerry Seinfeld

There is very little in this world that is truly inevitable. Taxes have always been said to be one of those things, but I recently heard that self-described smart people can avoid paying them, so that clears that up. One thing that we have not been able to escape, however, is death. Despite howls of protest from Elvis fans and Andy Kaufman truthers, we all meet our end at some point, which as Jerry Seinfeld has taught us is met with joy by the baby community.

Even if we all have to die eventually, not all deaths are met equally by those left behind. Certain deaths capture the public’s attention more than others. Whether they be because of a person’s fame, the unexpectedness of the death, or the manner in which the person died. The wives of Henry VIII, for instance, have a mnemonic device that reminds us of their final acts. 2016 was, unfortunately, a seemingly never-ending reminder of how we can be caught off guard by news of someone’s passing.

In this episode of the History Slam, Aaron Boyes and I count down the 10 most shocking deaths from the 20th century. We give our rationale for what constitutes ‘shocking,’ describe the events that made the list, and round out the episode by pointing out some that could have qualified.

Continue reading →

Fifty Years of French Protest Songs

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Alban Bargain-Villéger

George Brassens – Micetto

It all happened sometime in late March 2003, during the first days of the invasion of Iraq. My then-roommate and I were watching CNN’s coverage of the Battle of Nasiriyah in our Vancouver living-room, when my friend suddenly decided to break the silence that had been reigning for about fifteen minutes. “I’m telling you, dude, there’s going to be a slew of protest songs, like in the 1960s and 1970s. All of those Kitsilano hippies must be loving it!” This observation was prophetic, as this discussion took place about a year and a half before the release of Green Day’s seminal American Idiot.

However, my friend was overly dismissive when I suggested that there existed a certain continuity, as far as protest songs were concerned, between the 1960s and the present, whether in America or in Europe. In his opinion, Bruce Springsteen’s “The River” (1980) and “Born in the USA” (1984) did not really express a rejection of the established order – to which I replied that I begged to differ. Granted, he had never listened to the Ramones’ 1985 “Bonzo Goes to Bitburg (My Brain Is Hanging Upside Down),” which mocked Ronald Reagan’s visit to Kolmeshöhe cemetary, in Bitburg, Germany, where several Waffen-SS members were buried; however, examples are not exactly lacking. In addition, my roommate showed himself even more antagonistic when I stated that the Right also had a long tradition of protest songs. He was also mistaken in that regard, as the Left has never enjoyed a monopoly over that particular genre.

The history of protest songs in France provides a good example, both of the prominence of this musical genre from the 1960s onwards, and of its less publicized use by rightwing artists. Continue reading →

Teaching the Legacy of the Sixties Scoop and Addressing Ongoing Child Welfare Inequality in the Classroom

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Krista McCracken

Over the past six years, while working at the Shingwauk Residential Schools Centre, I’ve seen a significant growth of awareness among students and community groups about the history residential schools.  Granted, this awareness can still be hit and miss and there are definitely still many misconceptions about residential schools, however an increasing number of visitors come to the Centre with at least some knowledge about residential schools.

The same cannot be said for the sixties scoop. While discussing residential schools and colonial relationships in Canada I often discuss other legislation which has negatively impacted Indigenous communities and this includes talking about the sixties scoop.

The phrase sixties scoop was first used in the 1983 report Native Children and the Child Welfare System written by Patrick Johnston. The term refers to the mass removal of Indigenous children from their families into the child welfare system. This removal was often done without the consent of families or communities and children were frequently placed in white Euro-Canadian homes.

Page 23 of Johnston’s 1983 report and the first published usage of the term “Sixties Scoop”

The legacy of residential schools is directly connected to the sixties scoop. In 1960 the Government of Canada estimated that 50% of the students in the residential school system were there for ‘child welfare’ reasons. As the government began phasing out the residential school system the practice of removing Indigenous children from their homes and placing them in government care was drastically accelerated. Continue reading →

Remember / Resist / Redraw #02: Chloe Cooley, Black History, and Slavery in Canada

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Last month, the Graphic History Collective (GHC) launched Remember | Resist | Redraw: A Radical History Poster Project to intervene in the Canada 150 conversation.

In January, we released two posters. Poster #00 by Kara Sievewright and the GHC introduced and explained the goals of the project. Poster #01 by Lianne Charlie, which was showcased on ActiveHistory.ca and CBC, kicked off the series with a critical examination of 150 years of colonialism in the Yukon.

Earlier this month, in recognition of Black history month, we released Poster #02, which looks at Chloe Cooley and the history of slavery in Canada and features the amazing art of Naomi Moyer and the powerful words of historian Funké Aladejebi.

Continue reading →

High Quality Marijuana Regulation

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By Jonathan McQuarrie

Prepare for an onset of advertisements asserting the cleanliness and quality of Canadian marijuana. As marijuana dispensaries emerge from informal networks towards formal supply chains shaped by storefronts and licensed growers, marijuana growers and retailers will increasingly have to sell their product on the basis of quality, cleanliness, and standardization. The process of formalizing the marijuana market has some intriguing parallels to the efforts of Canadian producers and manufacturers to create formal, standardized categories for tobacco at the turn of the 20th century. The tobacco precedent suggests that rigorous standards present a major threat to smaller producers who may see opportunity in the emerging legal marijuana market.

Canadian manufacturers and agricultural modernizers sought to form a tobacco industry from the precedents set by Indigenous peoples, as well as the strong tabac canadien that had been raised by French-Canadian farmers in small garden plots. Racist metrics of quality and expertise caused colonial Canadian farmers and manufacturers to largely reject Indigenous tobacco cultivation practices, beyond acknowledging them as a precedent to legitimize tobacco farming in Canada or using racist images of Indigenous peoples, such as the “Cigar store Indian,” to evoke a sense of timelessness for their products.[1]

In doing this, Canadian tobacco interests, combined with a federal interest in both regulating and promoting Canadian tobacco for tax and export purposes, gradually conformed to a rigorous classification for tobacco, based on leaf size, colouration, curing methods, and other factors. A tobacco farmer didn’t simply grow tobacco; they grew burley, flue-cured, or cigar tobacco, and even then, a wide range of varieties were selected based on flavour, germination period, resistance to pests, and so on. The tobacco farmer’s success was then judged by the manufacturer, or later, at tobacco auctions, which had complicated grading systems. By the 1960s, a farmer’s tobacco crop was adjudicated by over 60 government-regulated grades, based on colour, leaf location and damage, cure, and other factors.

Continue reading →

The Presence of the Past: The Possibilities of Virtual Reality for History

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Sean Kheraj

For the past year, I’ve been thinking a lot about virtual reality and its potential applications for historians. Can we use virtual reality to better understand the past? Can the experience of virtual reality alter historical thinking? Can we now build time machines, teleporters, and holodecks using virtual reality?

These questions may be overly optimistic or idealistic. I may look back on this article a year from now and shake my head and chuckle at my naive enthusiasm for this technology. But for now, VR has got me thinking about the future of history.

VR stands apart from other multimedia technologies primarily because of its ability to generate a sense of presence. Thomas B. Sheridan describes this as a “sense of being physically present with visual, auditory, or force displays generated by a computer.” He proposed three measurable physical variables to determine what he called “telepresence” and “virtual presence”: (1) extent of sensory information; (2) control of relation of sensors to environment; and (3) ability to modify physical environment. Does VR have the potential to generate a sense of the presence of the past?[i]

John Bonnett’s concluding remarks in his 2003 article on the 3D Virtual Buildings Project in Journal of the Association for History and Computing suggest that I’m not alone in my enthusiasm. He wrote, “3D environments are instruments, and if properly exploited they stand to provide historians with substantial gains in their capacity to teach, represent and analyze the past.” Remarkably, Bonnett’s outlook on the future of 3D environments predicted some of the most recent developments in virtual reality and augmented reality technologies:

In this vision of computing, users in near future will wear computers with the computational power of today’s desktops, and the size of today’s personal digital assistants. These computers, in turn, will be connected to wireless networks to access and post information, and to head mounted displays the size of glasses to display information. I mention this newly emerging field because it is already making a contribution to the way we represent the past, and the way we tell stories. In principle, it should be possible in the next 10 to 20 years to produce something akin to the holodeck from Star Trek. We will not be able to interact with objects without the mediation of glasses or gloves. But we should be able to generate representations of ancient Rome or 19th century Paris, and project them onto football fields.fields.[ii]

Smartphones with stereoscopic viewers (Google Cardboard, Daydream View, Gear VR) and tethered VR/AR headsets like the HTC Vive, Oculus Rift, and Microsoft HoloLens have brought us closer to that holodeck-like experience. Immersing yourself in a 3D representation of nineteenth-century Paris is not a fantasy. It can be done now.

In this article, I’d like to show some examples of how VR can be used today to, in Bonnett’s words, “teach, represent and analyze the past.” Continue reading →