When Class Content Gives the Professor Nightmares, It Might be Time for a Warning

Photo by Fernando Arcos, public domain, https://www.pexels.com/photo/white-caution-cone-on-keyboard-211151/

This is the second in a three-part series on the use of content warnings in classrooms, archives, and museums. You can read the first entry here. 

Erica L. Fraser

Looking back, I probably began using content warnings for students after giving myself night terrors from reading the memoir of a Holocaust survivor as class prep. I was on an evening train back to Ottawa after winter break. I was tired, trying to anticipate how students in a new class on the topic would respond to Ruth Kluger’s Still Alive: A Holocaust Girlhood Remembered, and thumbing through it quickly to check it off my to-do list. It is a beautiful, horrifying memoir – but I had read material like this before. Next thing I knew, I was sitting bolt upright in bed the next three nights, terrified of something unnamed and with vague images from Kluger’s text fading from my mind.

(Before I go further, please note that this blog post contains references to Nazi atrocities during the Holocaust and the sexual assault of serf women in 18th century Russia).

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Trauma-Informed Teaching: Creating Classrooms that support learning

In recent years, teachers and heritage professionals have wrestled with the question of when and how to provide alerts about materials that students or users might find difficult to navigate. This is the first in a three-part Active History series on the subject of content warnings that elaborates the crucial processes and approaches that inform this work.

Source: Students in a classroom at Carleton University, 1961. National Film Board. Phototheque. 1971-271, TCS 01186, Library and Archives Canada.

Jo McCutcheon

…to foster an optimal learning environment, we need to pay attention to emotions and how the learner is feeling, as learning cannot take place in the absence of emotion.

Myas Imad[1]

As a researcher and teacher who has read exceedingly difficult archival material and as someone who has openly sobbed in the middle of the reading room at Library and Archives Canada after finishing a work of fiction and in a few cases, after reading government reports and documents, I came to realize how important it is to carefully consider assignments, readings, and topics covered in class and explicitly warn students in the syllabus, on lecture slides, and before discussing some of these topics about the difficult material we encounter as historians and researchers.[2] I have learned over the past several years that content warnings, and a consideration of triggers are part of a pedagogical framework that can provide a learning and teaching environment that can support all students.[3]

The process of teaching and learning is dynamic and often challenges us to carefully consider our approaches on an ongoing basis. When I reflect on some past experiences of teaching difficult material, I feel that I did not always have the framework or understanding at the time to fully support the diversity of challenges inherent in my courses, beyond the course content. Looking to other professions, I noted the work that was taking place to provide a trauma-informed approach, and I wanted to review the whole of my classes to see how I could provide an overall approach in this vein. This post is a reflection of what I have learned and what I am working on.

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Call for Contributors

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Join us in building the Active History project! ActiveHistory.ca invites propositions for blog posts, thematic series, and other contributions that highlight new research and histories that matter today. We welcome proposals from all historians, whether they work in institutions or in the community, who would like to expand the audience for their work while presenting it in an accessible format. We are particularly interested in recruiting for the following three roles: Continue reading

Thinking Historically About a Generation of Canadian Offshore Schools

Photo courtesy of the author who is shown teaching Geography 12, an accredited British Columbia curriculum course, to Chinese students in China on the Pacific coast.

Ian Alexander

This is the fourth entry in a monthly series on Thinking Historically. See the Introduction here.

In the 1990s a confluence of social, economic, and political conditions created a market for international education to expand in a multitude of ways around the globe. For those in communities across Canada, the internationalization of education has been most visible in the increase in international students in Canadian schools, colleges, and universities. Another, less visible form of internationalization was the spread of Canadian curriculum to other countries. Also on the move were textbooks, teachers, and administrators who set up offshore schools and programs abroad.The first few offshore schools opened in the mid-1990s as a novel form of transnational education, when curriculum and credentials were transported across borders to other countries. Unlike traditional international schools that taught children from expatriate families, Canadian offshore schools were mostly attended by local students seeking a foreign high school education to prepare for university abroad and sometimes to avoid aspects of their own national education system. Now that it is 2024, and offshore school students and teachers have been learning and teaching for nearly thirty years, the time is ripe to think historically about this era and gather stories of this cross-cultural education. These stories can inform the next generation of offshore schools and help identify continuity and change over time, especially when the presence and plight of international students has recently been thrust into the political spotlight.

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When the Press Had Bite: Thunder Bay’s The Black Fly

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Gary Genosko

As a cultural figure, the black fly is associated with Canadian folk singer and songwriter Wade Hemsworth who composed The Blackfly Song in 1949. Just as Hemsworth described the bloodthirsty fly’s ‘picking his bones’ while working on a survey crew in northern Ontario, the newspaper I discuss in this article promoted itself as having similar irritating attributes, but with a social and political focus.

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What is Good Citizenship? Perspectives from Former Air Cadets of Diverse Identities

These green doors mark the cadet entrance of 330 Danforth Tech Air Cadet Squadron, housed in Danforth Collegiate and Technical Institute, a secondary school in Toronto, Ontario. Originally an Army Cadet Corps, cadets have paraded at this location since 1940. Photo courtesy of author.

This is the fourth entry in a monthly series on Thinking Historically. See the Introduction here.

Rebecca Evans 

Our conceptions about good citizenship vary. Context, particularly space and time, matter. In citizenship education, young people participate and deepen their understanding of how to make change in their communities. They do so across various domains, inclusive of formal politics, political advocacy, civic society, and grassroots/community participation. Scholars Joel Westheimer and Joseph Kahne developed the What Kind of Citizen framework to capture different orientations to the concept of good citizenship.[1] Debates persist however and scholars agree that more education for supporting democratic citizenship is needed – and that knowledge, skills, and participation are significant elements of citizenship education.

In this blog post, I share the preliminary findings from my study on experiences in the Air Cadet program related to core concepts of citizenship education – agency, responsibility, and civic engagement. I focus in particular on the different ways participants make change in their communities today and how they relate these enactments as citizens to their experiences as youth in Air Cadets. This was a qualitative study. Over one hundred adult participants completed a survey. From the respondents, seventeen diverse participants were selected for in-depth study, with a view of building a deeper understanding of how the program functions as a civic educator for participants of diverse identities, including Indigeneity, race, gender, sexuality, religion, socio-economic status, and ability.

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No One Killed Canadian History. It is time to move on

By Thomas Peace

As we welcome 2024, it is time for Canadian historians to turn over a new leaf.

The end of 2023 brought echoes of 2003. As the year wound to a close, some of our colleagues – mostly working outside of the university – began to pile on as they celebrated 25 years since Jack Granatstein published Who Killed Canadian History, a divisive book that shaped the so-called History Wars of the late-1990s and 2000s.

It was no coincidence that this series was put together by The Hub, an online news site that promises an optimistic approach to news and analysis that will strengthen the Canadian nation. Core to The Hub are several of the same people behind the Dominion Institute, another key player that fueled historiographical tensions at the dawn of the new millennium.

Similar stakes from the late-1990s seem to be drawn out today.

The words of Hub editor-at-large Sean Speer summarized a subtext of the series. For Speer, over the course of the past two decades “radical” university professors (specifically at Carleton University) won the History Wars having “vanquished unfashionable scholars like Granatstein… in an exercise of ideological conformity imposed by a combination of peer pressure, hiring preferences, and growing university bureaucracy.”

In this same series, J.D.M. Stewart claims that “universities have eschewed political history and continue to dig down ever deeper into niche topics with limited value to helping Canadians understand each other.”

Neither then, nor now, does this framing of university history departments resonate with my experiences over the past 25 years. Unfortunately, though, these ideas about those of us working in universities are not unique. Continue reading

11th Annual(?) Year in Review (100 Years Later)

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By Aaron Boyes and Sean Graham

We offer our two cents on the major events of 1923. Let us know what you think in the comments

We ask ourselves this question every year: how has another year passed and we get to write this 100 Years Later Year in Review? And, more importantly, why do the good people at ActiveHistory.ca continue to allow us to do it? This annual tradition is something that we look forward to completing every year, especially the consumption of Rainbow Chips Ahoy (brain food). Much like in past editions of this bracket (you can find links to the previous years at the bottom of this post) we have some intriguing events and inventions to discuss.

For those who are finding this bracket for the first time, we use historical hindsight to analyze what was the most important event of 1923 – without the passage of time how can we truly determine what was the most important? The events have been divided into four brackets: the Entertainment Bracket, the International Bracket, the Still Relevant Technology Bracket, and everyone’s favourite the Potpourri Bracket.

So be sure to have your Spotify or Apple Music Replay handy – which came out in November, something that causes Sean much anger – and we hope you enjoy this year’s bracket. As always, thank you for taking the time to read it.

Round 1

Entertainment Bracket

(2) The Walt Disney Company Founded

v.

(3) Warner Bros. Founded

Aaron: In the early 1920s, as films continued to develop, a young animator named Walt Disney and his partner Ub Iwerks developed a short film called Alice’s Wonderland (no relation to the 1865 novel) produced by the Laugh-O-Gram Studio. Before the film could be released, however, Laugh-O-Gram went bankrupt. In search of a studio to release his film, Disney moved to Los Angeles to join his brother Roy. It was in LA that Walt sold the film to Margaret J. Winkler, who also paid him $1,500 to create a series of Alice Comedies. In order to complete the contract, Walt and Roy founded the Disney Brothers Studio on October 16, 1923 (renamed the Walt Disney Studio in 1926). Since its founding, The Walt Disney Company has become synonymous with entertainment around the world, producing some of the most memorable, and popular, films and television series. It is likely that everyone reading this year’s installment has seen at least one film or tv series produced by Disney, or has visited one of the theme parks, or perhaps have sailed the seas on one of Disney’s cruise ships. What is evident is that 100 years later The Walt Disney company is ubiquitous.

In 1889, three brothers Harry, Albert, and Sam Warner (these are their Anglicized names) emigrated to the United States from Poland, which was then part of the Russian Empire. In 1892, they welcomed another brother, Jack, who was born in London, Ontario. As the twentieth century dawned, the four brothers started to show films in Pennsylvania and Ohio before founding an entertainment company in 1904. After moving to Los Angeles, the Warner Brothers established their first studio on Sunset Boulevard in Hollywood. On April 4, 1923, the brothers formally incorporated as Warner Bros. Pictures, Incorporated. After 100 years, Warner Bros. has also produced some of the most memorable movies, tv series, and characters. The reader, I’m sure, is having flashbacks to watching Looney Tunes – which was created in 1929 to compete against Walt Disney and the Mickey Mouse cartoons – or perhaps Animaniacs, depending on your age. Much like its competitor, Warner Bros. remains a powerful name in entertainment around the world.

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Thinking Historically about Sexuality, Gender, and the Implications of “Safety”

The title page of Woman and Her Secret Passions (MC 4516 James Waddell family fonds); photo taken at the Provincial Archives of New Brunswick (PANB).

The title page of Woman and Her Secret Passions (MC 4516 James Waddell family fonds); photo taken at the Provincial Archives of New Brunswick (PANB).

Gemma Marr

“The luxurious habits of civilized life lead to many excesses. Those of gluttony and hard drinking have been sufficiently commented upon. Tracts and newspapers showing the fatal results of intoxication, surround us on all hands. But an evil more destructive than any of these has received, comparatively, but little attention. It is time that the warning was given, and that the trumpet was blown within the hearing of every young person. For want of knowledge on this subject, the fairest daughters of the land have gone down to a premature grave, or lingered out existence in wretchedness, without knowing the cause of their misery, or without ever knowing that there was such a thing as enjoyment, in living according to the dictates of nature and virtue”[1]

 

When I first read these lines, I (like you, dear reader) had very little context. I was in the research room at the Provincial Archives of New Brunswick, and had just been handed a folder. “You might find this interesting,” the archivist told me, and walked away. Indeed, I did; indeed, I do. The passage, which aims to strike a fearful curiosity in the reader, comes from a small book called Woman and Her Secret Passions: Containing an Exact Description of the Female Organs of Generation, Their Uses and Abuses, Together with a Detailed Account of the Causes and the Cure of the Solitary Vice. In it author Robert T. Wakely talks about the “secret vice”[2], and is worried about the vitality of young women lost to the evils of masturbation. When this book was first introduced to me, I wondered who read it and why (for titillation or information or instruction?). As I continued my research, a secondary thought emerged. I began to draw connections between the ideas of “safety” in relation to gender and sexuality as presented in Woman and Her Secret Passions and debates around “safety” in relation to gender and sexuality in contemporary conversations around sexual education and school policy. Continue reading

Digitizing the Dawn of Tomorrow

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By Nina Reid-Maroney

An August, 1925 article in the Dawn of Tomorrow (“Advent of League in Chatham, Windsor, Dresden Enthusiastic”) details James Jenkins’ experience at a founding meeting for a new branch of the Canadian League for the Advancement of Colored People (CLACP).

Jenkins, founding editor and publisher of the Dawn of Tomorrow and co-founder and Executive Secretary of the CLACP, arrived in the rural community of Chatham Township, on the outskirts of the town of Dresden, where he received “the surprise of his life” at the Union Baptist Church. He had “expected to be greeted with not more than 40-50 people” but was met with “an audience of nearly 700 enthusiastic citizens.” The Dresden/Chatham Township branch of the League was organized on the spot when the assembled crowd “voted to go into permanent organization.”

Jenkins’ account opens a window on the rich history of civil rights organizing in this small community, reaching back to Black abolitionist work in the 1840s and 1850s. Continue reading