By Joanna Dean
Many of humanity’s most virulent diseases emerged from the fertile intersections of human and other animal bodies. Cures also crossed species barriers, and in the crossing carried a taint of their animal origins. The University of Toronto’s Connaught Laboratories and Farm produced bovine smallpox vaccine from calves infected with cowpox, as well as a variety of products from horses, such as tetanus and diphtheria antitoxins. Photographs disseminated by the laboratory suggest the power of the visual image in calming public fears and managing – even erasing – the animal origins of these biomedical products through an emphasis on hygiene and health.
As Katherine Arnup and Jennifer Keelan have shown for Canada – and Nadja Durbach for Britain – public anger and fear about compulsory smallpox vaccination emerged in a series of popular campaigns from the 1880s through to the 1920’s.[1] While most of the anger was aimed at the compulsory administration of vaccine – intervention of the state into the body of the child and the sanctity of the home – the movements also rejected the animality of the vaccine. On March 1, 1906, when Toronto Board of Education trustee Levee campaigned (5000 signatures in hand) against the compulsory vaccination of school children, he used the strongest possible language: children’s bodies, he said, should not be polluted with “animal matter.”[2] Continue reading