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By Sean Graham
Corpus is currently in the midst of its world premiere run at Arts Court Theatre in Ottawa. Shows run through May 10, 2014. For further information, go to counterpointplayers.com
This past Monday evening marked the end of Yom HaShoah (Holocaust Remembrance Day). The occasion brought with it tributes to those whole were killed and reminders that such atrocities can never be allowed again. But, as can happen with any day of remembrance, it brought questions about how we remember the Holocaust and whose memories have shaped our understanding of the genocide. As the number of survivors who are still alive continues to decrease with time, will our memory of the Holocaust change? Is there room for new memories that may emerge in still unseen journals or still untold stories? What about those memories that we will never have the opportunity to hear? How do we account for them? These questions remind us that there is never a universal understanding of an event, particularly one that elicits such strong reactions.
In Corpus, a young genocide scholar named Megan (Sascha Cole) is forced to confront these questions when she becomes captivated after uncovering an unexpected relationship between the wife of a Nazi officer and a Polish Jewish prisoner at Auschwitz. With the help of her online lover Heinrich (Daniel Sadavoy), Megan pursues the story with the excited energy of a PhD student eager to take her place in the academy. As she delves further into her research, however, she encounters the contested terrain of memory and how elusive the ‘truth’ can be.
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