Archives as Laboratories

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By Merle Massie

Over the past two years, I lurked in the halls and wandered wide-eyed through the conferences of my social and natural science colleagues. An interdisciplinary institutional postdoctoral fellowship, funded by MISTRA (The Swedish Foundation for Strategic Environmental Research) and routed through the University of Saskatchewan, ensured my place at the lunch table and at the front of the classroom.

So, I’ve spent two years trying to explain how I, as a humanist, conduct my research. More importantly, I’ve noticed, the question is not so much how, but where does that research take place?

Since most of my professional work has focused on the 20th and 21st century, I do (on occasion) conduct interviews and focus groups with living people. I even have a working knowledge of qualitative methods, rigour, and the point of statistical analysis. I parlayed this penchant into the postdoc, with good results. But I remain, at heart, a document hunter/gatherer.

Working with social and natural scientists, I soon learned that research is about data generation. Set up the research parameters/test/study/measurement/focus group/survey/experiment, in order to generate data. Few, if any, ever work with someone else’s data set. The core concern is to generate something new.

That was my first hurdle: what I always thought of as ‘sources,’ now had to become ‘data.’ It’s a bump in the sidewalk that I trip over, every time. Continue reading

Backward as Forward: Reflections on Canada’s “Modern” Political Scene

By Christine McLaughlin

Tommy Douglas, C.M. Fines and Clarence Gillis following the 1944 CCF victory in Saskatchewan. Original Source: Saskatchewan Archives Board

Tommy Douglas, C.M. Fines and Clarence Gillis following the 1944 CCF victory in Saskatchewan.
Original Source: Saskatchewan Archives Board

While it is too soon for the historian to comment on the long-term effects of recent changes on the Canadian political landscape, the larger rightward shift is perhaps best evidenced by the federal New Democratic Party’s decision to “modernize” its constitution at its recent convention by “toning down” references to socialism. Pointing to “pragmatic” economic policies that made the convention floor, one MP went so far as to say “the party is growing up.” It is indicative of our own modern times that alternatives to liberal and neoliberal orthodoxy can be so readily cast as anti-modern. This Whig style of history-telling, which presupposes improvement as natural to the passage of time, is not just questionable history; it obscures the many ways history can and does repeat itself, widening the path for us to repeat its mistakes. Framing a political shift to the right as “modernization” is arguably much more suited to Orwell’s 1984 than 2013. Continue reading

“The Portuguese in Toronto” Photo Exhibit: An Organizer’s Reflection

Three generations of Portuguese-Canadians at Tivoli Billiards Hall, on Augusta Ave., Kensington Market, 1980. Photo by Gilberto Prioste.

Three generations of Portuguese-Canadians at Tivoli Billiards Hall, on Augusta Ave., Kensington Market, 1980. Photo by Gilberto Prioste.

From May 13-19, Toronto’s City Hall will feature “The Portuguese in Toronto,” a free photo exhibit. What follows are some reflections on how historians can engage with the public by one of the exhibit’s organizers.

Raphael Costa

On May 13, 2013, the Portuguese Canadian History Project’s (PCHP) photographic exhibit celebrating the sixtieth anniversary of mass Portuguese migration to Canada will open (the inaugural event is scheduled for 5:30, if you are free). Held in the Rotunda of Toronto’s City Hall, the exhibit will feature twenty historic photographs from the PCHP’s catalogue in the Clara Thomas Archives and Special Collections (CTASC) at York University, along with other images provided by various community members. The enthusiastic and active participation of community organizations and individuals has played a key part in the exhibit. For me, the most refreshing aspect of curating an exhibit like this is seeing just how excited people get about the kind of history – a history, I think, in contrast to the ‘War of 1812-esque’ public history we have seen so much of recently – we want to share. Continue reading

Eat Your Primary Sources! Or, Teaching the Taste of History

By Ian Mosby

History has a distinct taste. Actually, it also has a distinct smell, feel, sound, and look to it but – as a historian of food and nutrition – I always find myself coming back to the taste of history. No, I’m not talking about the musty, acrid taste of dust and mildew as you open up a long neglected archival box or that weird metallic aftertaste you get after sitting in front of a microfilm reader for way, way too long. History can also taste like molasses, cloves, nutmeg, raisins. You know, the good stuff.

At least this is what I tried to prove to the students in History 3240: Food History at the University of Guelph this past semester. Not only did I want to teach them about the versatility of food history as an entry point into the history of science, immigration, colonialism and gender – not to mention business, environmental, or political history. But I also wanted to prove to them that, as budding food historians, they should always make sure to actually eat their primary sources. Continue reading

The Public Historian in the History Wars: A Report from #NCPH2013

Arthur Doughty, the first Dominion Archivist of Canada, believed that 'of all national assets archives are the most precious; they are the gift of one generation to another and the extent of our care of them marks the extent of our civilization'

Arthur Doughty, the first Dominion Archivist of Canada, believed that ‘of all national assets archives are the most precious; they are the gift of one generation to another and the extent of our care of them marks the extent of our civilization’

By Pete Anderson

I had the good fortune to facilitate a lively discussion on the role of public historians in the history wars at a ‘dine around’ session during the recent annual conference of the National Council on Public History, held in Ottawa from April 17-20. We had representatives from both Canada and the United States of various ages and experiences across the range of the public history community: students, consultants, archivists, parks interpreters, educators, museum professionals, bureaucrats, and heritage professionals, with some attendees wearing more than one of these “hats.”

While our conversation flowed freely, three questions emerged in different forms time and time again:

  • What is the role of public historians in history wars?
  • How do we strike a balance between professional ethics and the obligations of employment?
  • Who will champion our cause if and when we can’t speak for ourselves? Continue reading

The New History Wars?: Avoiding the Fights of the Past

By Sean Kheraj

[audio: http://seankheraj.com/newhistorywars.mp3] Audio from Montreal History Group May Day Symposium, 26 April, 2013 [16:56]
Download Link

2013-04-17 17.39.12

Library and Archives Canada Building, Ottawa

The new history wars are not battles over the meaning of Canadian history. They are battles over public financing of historical research and historical preservation. Historians, archaeologists, anthropologists, librarians, and archivists all have a stake in these important conflicts and debates. Recent federal efforts to commemorate the War of 1812 and to create a Canadian Museum of History by rebranding the Canadian Museum of Civilization have triggered new arguments among historians that echo the history war debates of the 1990s, but these arguments distract from the broader (and more important) challenge of the steady reduction of federal public financing for historical research and preservation. Continue reading

“American Commune”: two views of a documentary about the 1970s counterculture

By Colin Coates and Daniel Ross

“The rise and fall of America’s largest socialist utopian experiment”
-Program blurb from the 2013 Hot Docs Canadian International Documentary Festival

This post, inspired by the documentary film American Commune (2013) by Rena Mundo Croshere and Nadine Mundo, takes two different looks at the history of a 1970s countercultural commune located in the southern US. The first is a broad reflection on how we frame the stories of utopian experiments, while the second explores how communes were the subject of special scrutiny by the North American state.  Continue reading

History Slam Episode Twenty-Two: Madeleine Kloske

By Sean Graham

On Wednesday night there was a screening of four documentary films as part of Northern Scene in Ottawa. The evening’s feature film was Dan Sokolowski’s Degrees Northand it was preceded by three shorts: Andrew Connors’ Come Back Little Star, Daniel Janke’s Finding Milton, and Lulu Keating’s Dawson Town Melted Down. Each of the films presented a different point of view on the North to the capacity crowd at the Mercury Lounge in the ByWard Market.

In this episode of the History Slam I talk with Madeleine Kloske from the University of Ottawa about the four films. In addition to the films, we also chat about preconceptions and stereotypes of the North as we wrap up Northern History Week. Continue reading

From Exploration to Climate Change: Northern History in the Anthropocene

Caspar David Friedrich, Das Eismeer (The Sea of Ice), 1823-24

By Tina Adcock

I groaned when I saw the headline. “Google Street View braves Canadian Arctic to chart little-known territory,” it read. “Iqaluit mapping expedition sees Google staff hike along remote city’s snow-covered trails and risk wrath of polar bears.” Even the writers and editors at the Guardian aren’t immune to the occasional bout of polar fever. But I can’t blame them. The rhetoric of exploration—of braving dangers on remote, inhospitable, and unknown frontiers—continues to sell newspapers and garner page hits. Public demand for tales of northern adventure, hardship, and heroism in high latitudes remains strong. Continue reading

History Slam Episode Twenty-One: Marketplace at Northern Scene

By Sean Graham

For the first four days of Northern Scene, the Panorama Room at the National Arts Centre was transformed into a marketplace featuring some of the region’s top artists. In this episode of the History Slam I talk with three of those artists about their work and the changing face of the northern art scene. First, I chat with Lyn Fabio about her use of intestine to create artistic works. I then talk with Shirley Moorhouse about northern Labrador and questions of what constitutes Inuit art. That is followed by my conversation with John Sabourin as we discuss his ability to weave narratives into his work. While Marketplace at Northern Scene has closed, be sure to google each of them up and check out some of the phenomenal work coming out of the North. Continue reading