By Alisha Stranges and Elspeth H. Brown T’Hayla Ferguson, digital illustration by Ayo Tsalithaba for The Pussy Palace Oral History Project, LGBTQ Oral History Digital Collaboratory. 2025. “I think the intention was to make women’s sexuality and women’s play just normal. Not such a sideshow. We want to have a place to go and get naked and fuck and play,… Read more »
By Alisha Stranges and Elspeth H. Brown Ange Beever, digital illustration by Ayo Tsalithaba for The Pussy Palace Oral History Project, LGBTQ Oral History Digital Collaboratory. 2025. “When they first came in, I was pissed off that they had crashed the party. […] like these stupid men tromping through this place. I’m just like, ‘You look like idiots. You’re stupid…. Read more »
Meredith J. Batt I have made an error. These are not words that come easily to a historian, when evidence is the backbone of our work. However, as Tim Lacy notes in his Society for U.S. Intellectual History blog post On the Failures of Historians, “There is no question that historians in their role as content experts experience failure. All humans are… Read more »
Sean Carleton To mark the 30th anniversary of the siege of Kanehsatà:ke and Kahnawá:ke, commonly known as the 1990 “Oka Crisis,” I have been interviewing a number of non-Indigenous musicians about the music they made in solidarity with the Mohawk land struggle. I’ve spoken with Chris Hannah from the thrash punk band Propagandhi and hip hop artist Maestro Fresh-Wes about… Read more »
