By Bret Edwards
Last month, the Canadian government introduced the Anti-Terror Act, following recent incidents in Ottawa and Quebec that have elevated fears about “violent jihadism” in Canada and its links to global organizations. There has been a lot of discussion about how new proposed powers of online surveillance in the Act will allow security objectives to trump freedom of expression. Yet less has been said about its other parts that relate to regulating mobility and the additional threat they pose to civil liberties. If it passes, the Act will allow federal authorities to get a court order to restrict the movements of people thought to likely carry out future terrorism and will also relax the legal threshold to prevent citizens suspected of being terrorists from boarding a plane.
These sections of the Act highlight how, in times of perceived crisis, government seeks to control mobility within and across its borders in order to protect society and its dominant values and beliefs. Far from isolated, it is only the latest example of a much longer national history of government regulating movement during periods of anxiety like the current one. And in its scope, it risks repeating instances in the past where authorities overreached in attempting to counter perceived threats to security or prevailing norms. Continue reading
There has been a renewed interest in the late-nineteenth and early-twentieth century story of the female match workers at the former E.B. Eddy Match Factory in Hull, Quebec. For me, this is another good example of recent efforts to regionally situate the big themes of social history in Canada. It also illustrates the challenges of trying to recognize voices of labour history which for the most part do not appear in public commemoration.
In 1964, fifty years following the start of the First World War, the Canadian Broadcasting Company (CBC) aired the seventeen-part radio series In Flanders’ Fields. Now, at the centenary of the Great War, the CBC has again leaned upon this series as one of its programming highlights to commemorate the anniversary. In Flanders’ Fields recently re-aired as The Bugle and the Passing Bell. The series was re-edited into ten, half-hour radio programs. While each episode had a brief introduction by host Beza Seife, essentially the programs relied upon the same information and oral histories presented in 1964.
The new direction,
By Jessica Dunkin