This is the first in a five part series featuring the Lost Stories Project.
By Ronald Rudin
In mid-June 2017, I received a phone call from a senior official in the New Brunswick Department of Tourism, Heritage and Culture. He wanted to talk with me in regard to the Lost Stories Project that I direct. We seek out little-known stories from the Canadian past, hand them over to artists to create works of public art, and document the process by way of short documentary films. The project was designed, in part, to show what happens when stories about the past are told in public space. When we see a piece of public art making reference to the past, it appears as if it couldn’t have told any other story, taken on any other form, or been located in any other location. The Lost Stories Project offers an opportunity to show that the process was far from straightforward since there are invariably numerous interests that need to be heard and challenges that had not been expected.
During 2017, with Canada 150 funding from the federal government, we created four new episodes from across the country, selecting from nearly 200 stories that were brought to us following a call to the public. While subsequent Active History posts this week will explore other episodes, my phone call was pertinent to one that I led, which told the story of individuals — mostly Acadians — who contracted leprosy and were in the 1840s confined to Sheldrake Island, near the mouth of New Brunswick’s Miramichi River; and until that phone call, everything connected with this particular episode had gone according to plan. Continue reading