Editors Note: This is the second post in a two-part post exploring a digital history course taught at Carleton University in Winter 2018. Part one explains the premise behind #hist3812.
Anderson, E., Bitar, M., Burgstaller, M., Ellerington, S., Grunksy, K., Lee, J., Mawko, A., Petrie, E., Rashid, A., Saravia, K. A., Weymann, R., and Graham, S.
In part one, Graham explained the rationale and unfurling of HIST3812, Critical Making in Digital History. At the end of the course, he invited the students to craft a collaboratively written ‘exit ticket’ that explored their understanding of what the course accomplished. This exit ticket was not graded, although the students could incorporate it into their end-of-term portfolio of work.
The exit ticket was written on the final day of class (a 1.5 hr block of time) through a student-directed discussion and division of labour on an open Google document. Graham prepared the shell of the document before hand with suggested headers (which the students left largely intact). Graham observed the discussion, but periodically left the classroom, so that the students could discuss issues openly without him.
The Exit Ticket
What We Were Supposed to Learn
The first thing that we were supposed to learn in the course was how the medium being changed can alter someone’s perception of history and alter how artefacts are thought about.
The second facet of the course was on the contextualization of history. This means that understanding how historical narratives can present different meanings, and the need to question the impact of changing things from physical to digital.
The third thing we were supposed to learn was how to recognize when an artefact is changed or remixed, either intentionally or accidentally, to fit narratives. Lastly, we were also supposed to learn how authority of original objects can change, as they change from physical to digital and vice versa.
What we Actually Learned
We learned about the concept of “productive failure”, the way in which we could draw lessons for future projects out of the failures of the present one. We used new technologies to construct different historical perspectives and engage the historical perspectives of others. In this, we gained a better understanding of working in groups towards specific goals, sharing knowledge and specific technical information.
We learned to critically interrogate our own historical perspectives – to ask ourselves what is and what isn’t being said in our projects. We had the opportunity to closely inspect our work methods and outcomes. Not only did we learn to make use of new digital technologies to explore history, we also learned about methods of investigating the digital as historical – such as examining digital preservation from a historical perspective, noting when things break or become “obsolete” and why. Continue reading