
Poster for François Truffaut’s 1966 film version of Fahrenheit 451.
Patrick Lacroix
“I’ve got to catch up with the remembrance of the past!”
– Montag, Fahrenheit 451 (1966)
In the last two years, the rise of “fake news” and “alternative facts” as categories of public discourse has prompted fears of a drift towards authoritarianism in the United States and beyond. A casual disregard for truth and campaigns to discredit rigorous reporting are, unquestionably, cause for concern—especially when perpetuated at the highest echelons of power.
An epistemological battle is now engaged, we are told, with the fate of democratic principles hanging in the balance.
Analyses on this website (here and here, for instance) and elsewhere suggest that “fake news” is not a recent invention. But the most instructive cases of public deception may be found in fiction, paradoxical as it may seem.
The essence of current debates was indeed captured decades ago by novelists. Twentieth-century dystopian works hold important lessons about the relationship between truth and history. Aldous Huxley’s Brave New World, George Orwell’s Nineteen Eighty-Four, and Ray Bradbury’s Fahrenheit 451 are especially revelatory in their treatment of the past. With them, we find that our own public trustees’ approach to the past is indicative of their commitments to an open, deliberative, and democratic society.
Literary dystopias also invite an assiduous study of the past and assign historians an important political mission. In our present circumstances, as cuts to the humanities in the United States foreshadow similar developments north of the border, historical skills may be as valuable as they are rare.
* * *
François Truffaut had it right in his film adaptation of Fahrenheit 451. Guy Montag’s line about remembrance, quoted above, does not appear in the novel, but it captures Bradbury’s message. It also does justice to Nineteen Eighty-Four and Brave New World. In all three, the erasure of the past enables the construction of authoritarian regimes. The corruption of history as both a body of knowledge and a field of inquiry facilitates the emergence of the dystopian world. Continue reading →