By Jessica Dunkin
In the last Home Archivist post, I described how I came to be in possession of a box of nineteenth-century letters. In this post, I open the box again for the first time.
When the MacKendrick letters arrived at my house in early August, they were quickly shuttled into the basement and I assumed that they would stay there for a few weeks, if not a few months. An unexpected illness, however, found me home alone for the last two and a half weeks of the summer. Not feeling well enough to tackle more pressing tasks, I decided to have a look at the letters. Those of you that follow me on Twitter will know that it proved to be an enchanting experience.
After gathering together the necessary supplies (folders, archival boxes, pencils, camera, etc.), I relocated the dusty, smoke-scarred box from the basement to the dining room table, the largest work surface in the house. I had spent quite a bit of time thinking about how I would set about working with the letters. In the end, my approach was simple. I opened the box and began to remove the contents, placing each bundle on the table. I took pictures of each layer, so that I would have a record of the box’s organization. Even before I started thinking more seriously about archival practice, I knew that the original order of a collection is important, not least because it is suggestive of how the collection’s creator, in this case Amelia or John MacKendrick, imagined the documents and their connection to one another. Continue reading