By Eve Dutton
There’s a certain image that the term “voyageur” conjures up in the Canadian consciousness: bearded, burly, and boastful rascals who prized their independence above all else, accomplished feats of superhuman strength and endurance, and braved the uncharted wilds with a song in their heart. This portrait of the voyageur has a long pedigree — it comes to us directly from post journals and other contemporary writings, which are often taken as the final word on the subject. It was embellished over the years by soulful idylls and popular histories such as Peter C. Newman’s Company of Adventurers.
In Making the Voyageur World: Travelers and Traders in the North American Fur Trade, Carolyn Podruchny rightly calls these mythical stereotypes the “comic-book superheroes” of Canadian history (2). However, as she notes in her introduction, there is a dearth of scholarship on voyageurs. Podruchny proposes that because voyageurs lived in a state of liminality, or transition, and because this informed their entire world order, the best approach to a cultural history of voyageur identity is a metaphorical “voyage” through the physical landscape and their social geography. Continue reading