Alban Bargain-Villéger
It all happened sometime in late March 2003, during the first days of the invasion of Iraq. My then-roommate and I were watching CNN’s coverage of the Battle of Nasiriyah in our Vancouver living-room, when my friend suddenly decided to break the silence that had been reigning for about fifteen minutes. “I’m telling you, dude, there’s going to be a slew of protest songs, like in the 1960s and 1970s. All of those Kitsilano hippies must be loving it!” This observation was prophetic, as this discussion took place about a year and a half before the release of Green Day’s seminal American Idiot.
However, my friend was overly dismissive when I suggested that there existed a certain continuity, as far as protest songs were concerned, between the 1960s and the present, whether in America or in Europe. In his opinion, Bruce Springsteen’s “The River” (1980) and “Born in the USA” (1984) did not really express a rejection of the established order – to which I replied that I begged to differ. Granted, he had never listened to the Ramones’ 1985 “Bonzo Goes to Bitburg (My Brain Is Hanging Upside Down),” which mocked Ronald Reagan’s visit to Kolmeshöhe cemetary, in Bitburg, Germany, where several Waffen-SS members were buried; however, examples are not exactly lacking. In addition, my roommate showed himself even more antagonistic when I stated that the Right also had a long tradition of protest songs. He was also mistaken in that regard, as the Left has never enjoyed a monopoly over that particular genre.
The history of protest songs in France provides a good example, both of the prominence of this musical genre from the 1960s onwards, and of its less publicized use by rightwing artists. Continue reading