Alban Bargain-Villéger
In recent years, serial political dramas such as House of Cards and the Danish series Borgen have enjoyed quite a bit of success in North America. Although one might argue that the genre is more of a child of the 1990s, since the original House of Cards trilogy (set in a fictional post-Thatcher Britain) came out in 1991, and The West Wing ran from 1999 to 2006, the four series that I intend to examine in this post are all products of the 2010s. A comparison of Borgen (“The Castle,” Denmark, 2010-13), Les Hommes de l’ombre (“The Shadow Men,” France, 2012), House of Cards (USA, 2013-present), and Okkupert (“Occupied,” Norway, 2015) is not only useful in providing an overview of how western European and American politics are being imagined (even fantasized about) in our day and age, but also yields precious information of a historical nature. In their own way, each of these series tries to make sense of a different political history. Of course, it should be acknowledged that these four series reflect the views of the writers, directors, consultants and producers who created and shaped them. Nonetheless, the commercial and critical success that they have garnered as well as the themes they address raise several questions about the ways western democracies and their histories are perceived today.
SPOILER ALERT: be warned that plot points will be given away. Continue reading