By C.S. Ogden
What stake does historical research have in fictionalized cinematic productions? Does film offer another medium to convey this research effectively to new audiences? What role can the academic historian take within such endeavours? In his latest book Inside the Historical Film, Bruno Ramirez, a history professor and screenwriter at Université de Montréal, considers these issues by investigating the relationship between historical research and cinematic narratives.

McGill-Queen’s University Press, 2014
238 pages, Paperback $29.95.
Acknowledging both the attraction to and the scepticism of historical film by historians, Ramirez traces the study of historical film. He does not focus solely on how various films have portrayed historical events. He also asks how fiction has been employed for these kinds of narrations: is it used primarily to increase a film’s commercial viability or does it have the potential to augment an audience’s understanding of the past? The manner in which historians and filmmakers engage with these notions inform the book’s chapters.
Ramirez explores the development and professionalization of the scholarly study of history and film during the twentieth century. He acknowledges the importance of film’s visual and technical components and more could be added here about the visuality of film but he is careful not to stray from the book’s major theme. He notes that the appeal and challenge of film is through its combination of the visual and the dramaturgical. The result is that the “filmic image, in other words, speaks through its own language” (33). Continue reading