Ma’s grinning. “We can do anything now.”
“Why?”
“Because we’re free.”
– Emma Donoghue, Room (Toronto: HarperCollins, 2010).
Free of “Room” – a locked garden shed with a single skylight, the primary setting of Emma Donoghue’s award-winning fiction novel, Room.
In Room, Donoghue brings readers into Jack’s world, an eleven by eleven ‘cell,’ that he shares with Ma and a key cast of inanimate characters like Rug, Bed, Table, Tooth, and Door. While readers can sense within pages that Jack’s world is a little too small, he reminds readers that “We [Ma and Jack] have thousands of things to do every morning, like give Plant a cup of water in Sink.” It is through this eerily ‘safe’ space that Donoghue eases her readers into an alternate America: captive America. And, while Ma is never sold by her captor, it is through Ma’s story that Donoghue draws readers’ attention to a thriving 32 billion dollar minimum criminal industry: human bondage.
Donoghue wrote a book that I couldn’t put down. A suspense novel that had me Google-searching for spoilers. A book that made me want to learn more about Donoghue, how she recreated Ma’s world, and what she wanted to tell her audience about human bondage. What follows is a Q & A with Emma Donoghue and key passages from Room. Continue reading