by Armando Perla
Soon after the killing of George Floyd on 25 May 2020, museums joined institutions around the world making public statements of solidarity with the Black Lives Matter (BLM) movement. Most of the statements from museums were not backed up by a track record of anti-racist work; many were, in fact, covering up a culture of human rights abuses and discrimination that has plagued these institutions for far too long. Current and former museum employees, artists, and communities called out institutions for creating an environment where racism, homophobia, transphobia, sexism, and other forms of oppression did harm.

Thiané Diop during an interview with CBC Manitoba in front of the Canadian Museum for Human Rights on 11 June 2020. Diop started the social media campaign #CMHRStopLying after some people started to share their experiences of anti-Black racism with the museum anonymously on Instagram. The campaign prompted the CMHR to acknowledge some abuses, to launch an independent investigation and for the CEO to step down. Photo credit Julie White
In Canada, several organizations have been exposed for their abuses and lack of BIPOC (Black, Indigenous, and People of Colour) representation: the Canadian Museum for Human Rights (CMHR), the Art Gallery of Mississauga (AGM), the Art Gallery of Ontario (AGO), the Vancouver Art Gallery (VAG), Contemporary Calgary (CC), the Royal Alberta Museum (RAM), the Gardiner Museum (GM), and Lakeshore Arts (LSA).







When we talk about the First World War, it is usually in national terms. In Canada, there is discussion of national mobilization efforts and the federal government’s implementation of programs and policies to support the war effort. These efforts, though, took place at a local level. Battalions within the Canadian Expeditionary Force, for instance, were typically distinguished by where they were from –