Category Archives: Academic Culture

Teaching Canadian History After the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP)

By Allyson Stevenson[1] When I began this blog on January 29th, I had just returned to my office at the University of Regina after speaking about my research on an inspiring panel of powerful First Nations women leaders in Treaty 4 territory that included Chief Lynn Acoose, Chief Roberta Soo-Oye Waste, Dr. Priscilla Settee, and Dakota Elder Diane McKay. “The… Read more »

Precarious Historical Instructors’ Manifesto

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We are caught in a cycle where a large chunk of historians in the field are precariously employed. Tenured faculty and university administrators often ask about solutions to precarity from the people who are facing it during faculty meetings or when our professional associations meet, but they rarely act on suggestions. Precarity and those who face it are ignored as… Read more »

History’s Reputation Problem

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When placed beside the sharp decline in undergraduate student enrollments, we must consider – given that interest in the past does not seem to have declined – perhaps, it is the public value of academic history, and – more specifically – the history professor, that has eroded.

Learning through Unlearning in Undergraduate History Education

This is part of an ongoing series of reflections from the Manitoulin Island Summer Historical Institute (MISHI) By: Natalie Cross, Alyssa Kaminski, and Urvi Maheshwari Beginning an undergraduate education can be uncomfortable. After several years of attending classes, however, the experience becomes common, perhaps banal. For the most part we attend three hours of classes per course each week. They… Read more »

Staging History

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By Craig Heron Historians have become increasingly attuned to the role of performance in history. Many of us have written about the pomp and pageantry of the powerful, the theatre of the high courts, the processions of urban respectability, the rituals of resistance among the poor and powerless. We have been much more reticent, however, about using theatre to present… Read more »

Biidwewidamoog Anishinaabe-Ogimaakwewag: Mnidoo Mnising Neebing gah Bizh’ezhiwaybuck 2019

Women’s Leadership Echoing Through Generations: The Manitoulin Island Summer Historical Institute (MISHI) 2019 by Carolyn Podruchny and Katrina Srigley Ancestors, elders, leaders, youth, and those yet to come met together for the seven-day summer institute (MISHI) from August 19 to August 25, 2019 on Mnidoo Mnising (Manitoulin Island) to explore the theme of women’s leadership. Co-sponsored by the Ojibwe Cultural… Read more »

Historical Jeopardy: The Emperor’s Club

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Bryn Coates-Davies The Emperor’s Club (2002, directed by Michael Hoffman) stars Kevin Kline as a History teacher who works at a prestigious boys’ boarding school in the 1970s. Kline’s character, William Hundert, is a strict teacher of the history of the Roman Empire. He teaches a very structured class until Sedgewick Bell, a senator’s son, certified bad boy, and potential… Read more »

Hochelaga, Terre des âmes

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Hochelaga: Not a Real Thesis Defence Scott Berthelette A Ph.D. thesis defence is at the centre of the narrative in Hochelaga, terre des âmes (Hochelaga, Land of Souls), a Canadian historical drama film released in 2017. The film’s portrayal of the process hardly meets my expectations for how a defence normally unfolds. The story of Hochelaga is told through a… Read more »

Decline of the American Empire

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The Decline of the American Empire (1986), or how historians are depressed, hedonistic and abusive scholars who lead meaningless lives and don’t write any history.  Serge Miville “There are three important things in history: First, the numbers, second, the numbers and third, the numbers. That’s why South African blacks will eventually win, and North American blacks are likely to never… Read more »

Who’s Afraid of Being an Historian?

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Colin M. Coates In the 1966 Hollywood film, “Who’s Afraid of Virginia Woolf?”, Richard Burton plays a cantankerous, disappointed, middle-aged History professor at a small liberal arts college in New England.  “George” (Burton) has reason to be grumpy.  He feels thwarted in his career and his relationship.  He is married to “Martha” (Elizabeth Taylor), a foul-mouthed “femme fatale” who constantly… Read more »