Building Digital Literacy and the University Curriculum
Where does digital literacy fit in the university curriculum and how should it be taught?
Where does digital literacy fit in the university curriculum and how should it be taught?
A discussion of some ways teachers can keep history relevant for students.
A discussion of intellectual property rights through the production and reproduction of images.
Do laptops have a place in the lecture hall? An ongoing debate has raged over whether they do. I believe that we need to reframe our teaching approach as adult education and adapt to the use of technology.
Resources for teaching about the Holocaust and genocide.
Thirty-six historians, educators, museum professionals and graduate students from across the country attended the first of what we hope will be an annual workshop offered by THEN/HiER in partnership with ActiveHistory.ca.
In late September the Pope traveled to England and beatified Cardinal Newman. One month later the British government’s 40% funding cuts demonstrated the limited influence of sainthood in the politics of higher education.
The history curriculum in UK schools is to be overhauled with the help of Simon Schama, an announcement made five months after the controversy sparked by the alleged invitation extended to Niall Ferguson. The concerns remain the same: that history is disappearing through falling demand, at least in state schools; that where it is taught, the topic-based approach of the… Read more »
Formally launched by Jimmy Wales and Larry Sanger in 2001, Wikipedia — the “free encyclopedia that anyone can edit” — has become the first (and often only) stop in Internet fact-finding. With well over ten million articles to date, Wikipedia has evaded overt corporate influence through a non-profit structure and currently ranks among the top ten most visited sites on… Read more »
Performance is an important theoretical concept in the history classroom. It has been deployed in various contexts, from a social historian’s concern with the ‘public transcript’ of the theatre of the dominant classes, and its counter-theatre of resistance, to cultural and gender historians’ readings of ‘performativity,’ wherein the cultural fictions of collectively performed gender produce and reinforce prevailing notions of normalcy. … Read more »