If you’ve visited a community museum anywhere in Ontario, chances are you will recognize many of the artifacts featured in this online exhibition, all of which are from Halton Region Heritage Services’ collection. In their early years, historical societies and community museums collected a relatively standardized and not particularly diverse set of pioneer and Victorian wares with abandon, which have had a heavy bearing on modern museum collections. Across the province, museum storage facilities are full of domestic wares like doilies, butter churns, apple peelers, tea sets and wood planes.
The impulse to preserve a rapidly disappearing past and recreate idealized scenes of ‘pioneer life’ saved many historical objects from oblivion (and started many a community history museum’s collection), but this impulse did not always extend to saving the histories and stories that accompanied these artifacts. We know what the items are, but not necessarily who made them, what they were used for or their geographic affiliation. The objects themselves sufficed for early community museum displays, largely consisting of historic room settings, designed to invoke reverence for a romanticized past. In these situations, the artifacts spoke for themselves and received little interpretation beyond a label identifying the object and its donor.
As museum practices have evolved, striving for a more inclusive, diverse representation of history and local stories, we want to connect these singular objects to a wider historical narrative. This process can be challenging, both due to the lack of information about objects in our collections and the fact that the early collecting practices were uneven and excluded some communities. How can we use these objects, painstakingly saved and preserved by early historians and curators to inform today’s historical scholarship and learning in a more holistic and inclusive way? Continue reading