By Anne Janhunen
Last week I attended the world premiere of Colonization Road at the imagineNATIVE Film & Media Arts Festival. Directed by Michelle St. John, the film follows Anishinaabe comedian and activist Ryan McMahon as he delves into the history of Indigenous dispossession and settler colonialism in Canada. Examining physical markers of this history such as Colonization Road in Fort Frances, Ontario, McMahon asks, “what do we mean when we talk about colonization?” Drawing on the experiences and expertise of a wide range of Indigenous and non-Indigenous scholars, activists, and community leaders, the film details the many facets of historical and ongoing colonization and the nature of settler colonialism as a structure. In this piece, I want to reflect on the ways in which I hope this film sparks further discussion among historians, educators, heritage organizations, and the wider public.
The majority of early twentieth century material – tourist pamphlets, school curricula, and local histories – I analyse in my dissertation reflect the colonial narrative in microcosm. This story usually starts with French explorers and fur traders and eventually centres on hardy settlers making seemingly unoccupied land productive. Indigenous people are usually peripheral to this story or entirely absent from it. How they ended up on reserves remains a mystery. How much of this narrative has changed in the past hundred years? Continue reading