Where’s the beef (coming from)?

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by Nicholas Fast

For the public at any grocery store, the most shocking part of choosing any meat package is usually the price. It is no secret that the price of meat, especially beef, has skyrocketed during the pandemic. The sticker shock prevents many from looking beyond the plastic wrapping to really consider where the beef—or chicken or pork—comes from. As with most consumer products, the final cuts of meat we find in grocery stores are the result of a long commodity chain that intersects labour relations, the logic of capital, and deindustrialization politics.

Canadians had a brief glimpse into the world of the meat packing industry during the first spring of the pandemic when nearly half of the 2000 workers at the Cargill plant in High River, Alberta fell ill with COVID-19. This Cargill plant was responsible for nearly forty percent of Canada’s beef commodity chain. This fact was cited by industry experts to justify keeping the plant open for fear of disrupting the supply chain. As a result, three plant floor workers—all of them immigrant workers—died from their exposure to COVID-19 while the mainly white office staff were allowed to work from home. The brief surge in media exposure revealed how concentrated the packinghouse industry is in Canada and the effects that this concentration has on workers who toil in this commodity chain.

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Is the gay steel mill closed? Reflections on queer histories of deindustrializing Cape Breton

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by Liam Devitt

In 1991, the AIDS Coalition of Cape Breton was founded. Cape Breton Island, a small industrial region, was a far cry from the perceived metropolitan hotspots of the AIDS epidemic. It did not have the cosmopolitan queer nightlife of these cities and little activism that could be called “gay liberation” manifested in any visible way. In short, Cape Breton is not the place a historian would ordinarily look if they wanted to say interesting things about the AIDS crisis or even queer life in general. Yet, there are histories here that can help us look at the legacy of deindustrialization and non-metropolitan queer communities differently.

Peter Steele, a Cape Bretoner long active in the LGBT community on the Island, recounted to me his story of the AIDS Coalition’s founding:

I became a founding member of the AIDS Coalition of Cape Breton. And through that, I came to know a lot of guys who lived elsewhere, who left here after high school, and contracted HIV wherever they lived, and when it developed to AIDS, they moved back here. Some moved back to be with their families, some moved back to be taken care of by their families, and a lot of them moved back here because it was cheaper to live here than where they lived. And it was at a time where you were paying for medication for yourself. So, it was more financially feasible for them to be living here, even if they weren’t living with their family. We had members on the board that had AIDS and have since passed away.

To put it in the direst terms, early 1990s Cape Breton was confronted with people coming home to die: coming home to often unwelcoming families, a medical system ill-equipped to treat them, and a place that—for one reason or another—these people had willingly left. Was it to escape the social conservatism deeply tied to religion? Was it to get a safe job free from discrimination? Was it to simply get a job? And then, when they came back, what’s there for them?

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The Politics of Deindustrialization in Canada

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by Lauren Laframboise

In early February this year, Canopy Growth announced that it would close its cannabis flower production plant in Smiths Falls, Ontario. The facility was located at 1 Hershey Drive in the former Hershey chocolate factory that had once been a major employer in the small town. After Hershey’s closed in 2008, a subsidiary of Tweed Inc. (now Canopy Growth) purchased the plant in 2013 and invested $1.5 million to retrofit the chocolate factory to produce cannabis. After the Canadian government legalized the drug, Tweed Inc. raised $15 million in start-up capital, expanded their team, and filed for public listing on the TSX Venture Exchange. While the cannabis industry was on an initial high after legalization, the market hasn’t quite panned out as business executives had hoped.

When Canopy Growth announced the closure and 350 layoffs in the small town, a CTV news article reported that Smiths Falls residents had a feeling of déjà vu. “I think a lot of people are just confused,” said Ryan Bennett, who grew up in Smiths Falls. “Like why now after all the investments, the projects, that kind of things? Obviously it’s a business decision.” But it wasn’t just Hershey’s and Canopy that had left town. The former “chocolate capital” turned “pot capital” had seen several other major employers close up shop over the years. Continue reading →

Dazhiikigaadeg Maanendamowin: Wanichigewin gaye Wiijiiwidiwin gii-ayaag COVID-19 / Transforming Grief: Loss & Togetherness in COVID-19: Part 2 – Student Responses to the Exhibit

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Kennedy Colalillo, Geoff Crowther, Joanne Feng, Steven Fenn, Andrea Gonzalez Marroquin, Richard Griffin, Janis Angelica Hernandez Salazar, Jessica Hymers, Darrell Jose, Solaris Morenz, Susan Munn, Anya Nandkeolyar, Katia Oltmann, Laura Phillips, Faizan Rama, Kai Suzuki-Smith, Dani Wong

Part 1 of this Review is available here.

Student Responses

This is a selection of the class responses to the exhibit:

Student 1: It is a healing experience released from the people who left the pieces of their suffering on the exhibition. Each piece showed us the stages of the Pandemic Covid 19, and when I was watching this, I thought that I already forget this stage and that my son won’t remember when the world was shut down because I made this experience the best for him. We camped almost every day in the living room because it was only him and me in that one small-bedroom apartment; sometimes, we just ate popcorn because it was fun, and I did not have money to buy anything else. But he will only remember there was a time when he and his mom slept in the living room for a long time and played all video games and ate a lot of popcorn. We also heal with the exhibitions. Continue reading →

Dazhiikigaadeg Maanendamowin: Wanichigewin gaye Wiijiiwidiwin gii-ayaag COVID-19 / Transforming Grief: Loss & Togetherness in COVID-19: Part 1 – Our Review and Exhibit Overview

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Kennedy Colalillo, Geoff Crowther, Joanne Feng, Steven Fenn, Andrea Gonzalez Marroquin, Richard Griffin, Janis Angelica Hernandez Salazar, Jessica Hymers, Darrell Jose, Solaris Morenz, Susan Munn, Anya Nandkeolyar, Katia Oltmann, Laura Phillips, Faizan Rama, Kai Suzuki-Smith, Dani Wong

This article is a participatory review of the exhibit Dazhiikigaadeg Maanendamowin: Wanichigewin gaye Wiijiiwidiwin gii-ayaag COVID-19 / Transforming Grief: Loss & Togetherness in COVID-19, displayed at Fort York in Tkaronto/Toronto, Ontario, Canada, from March 2023 to January 2024. A graduate class from the University of Toronto visited the exhibit as part of the Winter 2023 ischool Information Management workshop series  ‘Truth and Reconciliation Commission, Museums, Archives’,  taught by Dr. Laura Phillips.

In early May 2023, the World Health Organization declared the end of the COVID-19 pandemic. This declaration was made without any indication or directive of how we, the collective of individuals who survived this global health emergency, should process the emotional, physical, intellectual and financial toll of this 3 year event (which is arguably on-going, depending on where in the world you are located). Continue reading →

“Absurd Quackery”: The Canadian Women’s Health Movement, Vaccine Attitudes, and Healthsharing

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Kathryn Hughes

A magazine page titled "Shots in the Dark: The Risk of Infant Vaccination." The page includes a picture of a child in a crib.

Image extract of Healthsharing Spring, 1989 article “Shots in the Dark” by Anna Kohn, Rise Up Feminist Archive

In 1989, the popular Canadian women’s health magazine Healthsharing published an article entitled “Shots in the Dark: The Risk of Infant Vaccination”. Echoing the anti-vaccine movement of this period (the title borrows from the 1985 influential anti-vaccine text DTP: A Shot in the Dark), the article discussed the risk of the DPT-P vaccine, quoted personal stories from mothers whose children had been impacted by the pertussis vaccine, and alluded to the larger Canadian anti-vaccination movement. At a glance, a feminist health magazine seems like an odd place to express anti-vaccine attitudes, but, as shown in Elena Conis’s seminal text Vaccine Nation (2014), the American feminist and women’s health movement shared overlapping ideas with its anti-vaccination movement of the 1970s and 1980s, as maternalist and feminist ideologies that emphasized bodily autonomy and were critical of medical authorities helped shape parental reactions and resistance to vaccines. The question remains: did the women’s health movement in Canada have similar attitudes and influences to their American sisters? Continue reading →

Inheriting Her Life: Toronto’s Poet Laureate Remembers Emma Goldman

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Emma Goldman seated, photo by T. Kajiwara, 1911 July 15. Library of Congress.

Franca Iacovetta & Cynthia Wright, with thanks to A.F. Moritz

…the new Toronto comrades engulfed you,

a happy flood, and carried you

like a spirit in its pinnace, its canoe,

on a shining spate, a spring rill

of refreshing flame through a magic land

to that evening’s party.

When the pandemic came, we were planning a symposium to mark the 80th anniversary of Emma Goldman’s 1940 death in Toronto. As historians researching the intergenerational memory of Goldman’s Toronto exile, we wanted to bring together scholars, activists, and cultural workers involved in new research and critical engagement with Goldman and anarchist history. Over two years later, in October 2022, we finally hosted that University of Toronto-sponsored Symposium, and a performance by the Theatre Group of the Toronto Workers’ History Project of Craig Heron’s Emma’s Last Visit (directed by Aida Jordão) at St. Vladimir Institute.

But the event’s most explicitly commemorative moment was a reading by A.F. Moritz, Poet Laureate of Toronto (2019-23), of Inheriting Your Life: Homage to Emma Goldman, an original poem written at our request. A prolific, award-winning poet, Moritz is also co-author, with Theresa Moritz, of The World’s Most Dangerous Woman: A New Biography of Emma Goldman (Subway 2001), the only full-length study of Goldman’s three residencies in Toronto during the 1920s and 1930s. Our invitation to Moritz fit with our project on how generations of activists and cultural producers have recovered, invoked, and remade Goldman and what that tells us about the continuities, discontinuities, and complexities of anarchist history. We hoped, too, that a poem written by Toronto’s Poet Laureate to mark a major anniversary of Goldman’s death could help bring wider attention to Goldman’s activism in Toronto and that of the multilingual community of Yiddish, Italian, Spanish, Dutch, and other comrades who lived the revolution as best they could. Continue reading →

Drones in Environmental Humanities Research

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Photos by Mehdi (left) and Finn Arne (right).

(Editor’s note: This post is published in partnership with NiCHE – Network in Canadian History & Environment)

Mica Jorgenson

“Okay Dimitrijs, now go somewhere cool.”

Charlotte is wearing a heavy set of white VR glasses, standing in the sunshine on a University of Stavanger football pitch in Southern Norway. Dimitrijs is flying the drone. We are a mixed group of six environmental humanities scholars from the Greenhouse here to try out the university’s drone fleet and discuss their possible application to our research. Continue reading →

Photography and the Culture of Celebrity: A Belated Review of “The World of Yousuf Karsh: A Private Essence”

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By Andrew Nurse

The art of Yousuf Karsh is at once alluring and telling. The large-scale exhibition “The World of Yousuf Karsh: A Private Essence” captured both aspects of his work even while I suspect this was not its intention. The exhibition was a collaborative product of the Montreal Museum of Fine Arts and the Canadian Museum of Immigration at Pier 21 in Halifax. Curated by MMFA Senior Curator Emeritus Hilliard T. Goldfarb, it opened in Montreal in 2021 and then moved to Pier 21 where ran until October 16th of last year.  Pier 21’s online exhibition discussion notes that it displays over 100 portraits made across the span of a career that started in the 1930s and ran to the 1990s.

“The World of Yousuf Karsh” is meant to be interpreted as a series of intertwined stories that its location in Pier 21 connected to changing perspectives on migration and diversity. In other words, it is an intervention into public history that served several ends. Continue reading →

The Evolution of Game Law Impacting First Nations Hunters in Northwestern Ontario

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Painting of two people dragging a moose through the snow.

Cornelius Krieghoff, [Hunters Pulling Dead Moose], 1855-1865. Library and Archives Canada, Acc. No. 1950-14-2, Box 2000813612.

Jennifer Bate

Indigenous peoples have used their deep-rooted understanding of the land and wildlife to feed their families and communities for generations. However, by the end of the 19th century, First Nations communities in Northwestern Ontario found their traditional way of life threatened by encroaching settlement and new government-imposed hunting legislation. Although early game laws contained clauses exempting First Nations hunters from the legislation, these exemptions were eventually written out, subjecting First Nations and other Indigenous hunters to provincial game legislation which would impact their traditional way of life.

The evolution of game laws was unique in Northwestern Ontario because the region remained largely unsettled and ungoverned by the Crown until the late 19th century. Continue reading →