Out of the Shadows: CAUT Report on Contract Faculty Across Canada

Cover of CAUT "Out of the Shadows" report.

Cover of CAUT “Out of the Shadows” report.

Andrea Eidinger

On the day after Labour Day, the Canadian Association of University Teachers (CAUT) released its long-awaited report from its first national survey of over 2,600 contract faculty who had taught at least one course in the 2016-2017 school year. The numbers, while unsurprising to many contract faculty, were quite shocking. And yet the release of the report has made barely a ripple. To date, there has only been one news article published on the report, from the Toronto Star.[1] Given the lack of news coverage, I would like to review some of the more significant findings, since they reveal major structural and systemic problems which impact faculty at all levels.

Who Are Our Contract Faculty?

In publications as recent as 2018 it has been stated that a significant number  of sessional instructors were professionals like doctors, lawyers, and engineers who taught the occasional course.[2] However, CAUT’s findings show that the highest numbers of contract faculty can be found in the humanities (21%) and in the social sciences (18%). And contrary to some findings, CAUT found that over 47% of contract faculty held doctoral or “post-doctoral degrees.” Further, these are not individuals who are simply teaching for a couple of years before securing a tenure-track position. 59% of respondents had worked as sessional instructors for over five years, including 25% who had worked for between six and ten years. The majority of contract faculty are, perhaps unsurprisingly, in their 30s, 40s, and 50s.

What Kinds of Work Are They Doing?

In general, 70% of contract faculty work on a course by course basis, sometimes across multiple institutions. Depending on the hiring cycles of universities, which can vary significantly, this can mean reapplying for your job between every four months to ten months, and renewal is rarely guaranteed. The number of courses that each contract faculty teaches per year can also vary significantly, although CAUT found that 40% taught more than four courses per academic year.

In many cases this is the equivalent to a full course load for regular faculty. However, this does not translate into significant amounts of money. Approximately 49% of sessional instructors make less than $50,000 per year, despite these heavy course loads. A further 27% of contract faculty make between $50,000 and $80,000 per year. In comparison, Statistics Canada reports that the average starting salary for assistant professors across all fields is $103,400. When we consider that many contract faculty are also expected to publish on a regular basis (67% reported working on peer-reviewed articles and 26% on non-peer reviewed publications), and that 75% report having to do some kind of committee work (60% reporting that this work was unpaid), there is a serious discrepancy here, one that cannot be justified by saying that contract faculty only teach. Continue reading

History Slam 121: Historically Inspired Baby Names, Canadian Mash-Up Edition

By Sean Graham

A couple of years ago, we did an episode talking about the best names you could use if you wanted your kid to have an immediate connection to history. At that point, we were trying to name Aaron Boyes’  daughter and now, a couple years later, our good friend Jeremy Garrett is about to become a father for the first time (in fact today is the due date) so we thought it would be fun to take another stab at naming the newest member of the History Slam team.

To change things up, though, we decided to keep it uniquely Canadian. Using the Historic Sites and Monuments Board of Canada designations of historically significant people, we selected 24 people and combined their names (one person for first name and another for middle name) to come up with 12 names that could be used to name a newborn.

In this episode of the History Slam, I present the 12 names to Jeremy and Aaron. We talk about the individuals who inspired these names, why they were designated as historically significant, and the best sounding name combinations.

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First World War Postscript: “Fed Up and Tired” in the Months Following the Armistice

Robert Alldritt

Following the end of the First World War, representatives of the Allied and Associated nations agreed that a medal, which would be officially known as the “Interallied Victory Medal,” would be awarded in commemoration of victory over Germany[i].  In all, approximately fourteen million bronze medals suspended by distinctive double-rainbow ribbons symbolizing “calm after a storm” were distributed; their designs varying depending on the country of issue. More than six million Victory Medals were awarded to British soldiers and combatants from its colonies.  Sergeant William A. Alldritt, whose experiences during the war have been written about here and here, was one of the 351,289 recipients from amongst the Canadian Expeditionary Force.[ii]  The British version of the medal that the Canadians received depicts a winged female figure traditionally representative of “victory,” while the reverse is inscribed “The Great War for Civilisation 1914-1919.”

The Interallied Victory Medal. (Author’s image – as are all images in this article.)

Why did it state “1919” when the Armistice came into effect on November 11, 1918?  In part, the answer is that the official peace did not come until the Treaty of Versailles was signed midway through 1919.  The later date also correctly recognized that the Armistice did not mean an immediate end of service for many of Canada’s overseas forces.

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Recognizing Women Historians’ Expertise: An Interview with the Co-Founders of Women Also Know History

Interview by Marilou Tanguay[1], Florence Prévost-Grégoire[2] and Catherine Larochelle[3] with Emily Prifogle and Karin Wulf, two of the co-founders of Women Also Know History. This interview was originally published in French on HistoireEngagee.ca.

Last June, the historians behind the Twitter account and the hashtag #womenalsoknowhistory launched a website aimed at increasing the dissemination and use of the expertise and publications of women historians. The initiative, conceived as a way of countering the gender bias of historical discipline, is aimed at both history practitioners and journalists wishing to interview experts in the field. Since the launch of their website, almost 3,000 historians have created a profile.

As Quebecois historians working in Canada and Europe, we learned about this initiative through Twitter. The issues surrounding women’s place in academia have preoccupied us for a couple of years. Over the past few months we have begun to more intentionally investigate these questions. At HistoireEngagée.ca we have a series named “Où sont les femmes?” (“Where are the women?”) aimed at addressing links between women, the discipline of history and the narratives it produces. The launch of Women Also Know History was a key moment for us to reflect on these issues.

To learn more about this project, which is still little-known in Quebec and in the French-speaking world, we interviewed two of the co-founders, Emily Prifogle and Karin Wulf, about its beginnings, its impacts and their hopes for how this database will work to eliminate sexist bias in the practice and dissemination of history. Continue reading

You Can Blame Mackenzie King for Ford

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By Adam Coombs

Doug Ford invoking the Notwithstanding Clause to slash the size of Toronto City Council generated fiery responses from both supporters and detractors. Regardless of where one stood on the issue, all commentators were quick to argue that their side was the one protecting democratic norms and practices while their opponents were undermining them.

Premier Ford made this point in the bluntest manner possible: “I was elected,” the Premier explained, “[Justice Edward Beloboba] was appointed.” He later told CTV news that using the Notwithstanding Clause was “about preserving the will of the people, [it] is about preserving democracy.”

Other Progressive Conservative (PC) supporters expanded on Ford’s argument. Political strategist Ginny Roth told CBC News that Ford “was explicitly elected to make change and I think a key part of his mandate is to do politics differently.”

Despite claiming that the Premier has a mandate for change, it is unclear how that mandate was conferred. His PC Party won 40% of the popular vote and with only 58% of eligible voters casting their ballot, only a little under a quarter of Ontario voters elected Ford.

Importantly though, under the First Past the Post (FPTP) system the popular vote is irrelevant in determining who holds power. What matters is which party leader can command the confidence of the legislature. Having won 76 seats compared to the combined 48 seats of the NDP, Liberals and Greens, the PC Party and Ford secured a strong majority at Queen’s Park.

Yet in justifying their actions Ontario conservatives appealed not to their dominant position in the provincial parliament, their actual legal position, but rather that they were granted a mandate to speak for the people of Ontario, which is a much more objectionable statement.

Making such arguments, however, is not new in Canadian politics. Rather, to understand the roots of this rhetorical strategy we have to go back to Liberal Prime Minister William Lyon Mackenzie King and his attacks on Conservative Prime Minister Sir Arthur Meighen in 1920-21.

Rt. Hon. W.L. Mackenzie King voting in the plebiscite on the introduction of conscription for overseas military service (Wikimedia Commons)

Prior to the 1921 Federal Election Campaign, which pitted Conservative Prime Minister Meighen against newly chosen Liberal Leader Mackenzie King, the idea of a democratic mandate was alien to Canadian politics. Continue reading

Digital History in the Classroom (For Beginners!)

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Samantha Cutrara

Digital History (or Digital Humanities and/or Social Sciences, more generally) has exciting possibilities for knowledge mobilization, community engagement, and access to primary documents and secondary analysis. I see Digital History (Humanities/Social Sciences) as being more public-facing than traditional engagements in the discipline(s) because of how the emphasis on the digital forces a more networked approach to both the process and product of historical work. Digital history, or #DH, can then be thought of being part of, and developing, a greater conversation between history/historians and the public because digital tools and technologies invite more space for collaboration. As a history education strategist, I find this especially exciting for classroom practice.

York University Library

I recognize, however, that one may have felt like one needed to know programming or code to engage in #DH. But the ubiquitous presence and use of today’s digital technologies means that we can now engage in #DH without needing to know how to program. One could simply “do” DHSS by focusing on the meaning making potential of digital tools and technologies.

Many of us already do this without calling it #DH. When we ask our students to search for a website or an article, to map something on Google, to collaborate on an online document, to participate in a discussion on Facebook – these are all practices that invite students to find, collect, organize, and/or analyze using digital technologies. What makes practices explicitly #DH practices is when we’re thoughtfully and explicitly using these technologies to develop skills of critical thinking, doing, and communicating. This means that students are not just creating digital products but engaging in the process of digital development, argumentation, and presentation. Through the explicit combination of digital tools and technologies with course content, students are experientially learn how to develop and communicate their learning of history with historical evidence and for a wider audience. Continue reading

A Historian’s Reflections on the 2018 CUPE 3903 Strike

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Picket line at York University’s Keele Campus, March 2018. Photo by *Youngjin, CC BY-SA 3.0

Alban Bargain-Villéger

[T]here is a peculiar illusion incidental to all knowledge acquired in the way of education: the illusion of finality. —R.G. Collingwood, The Idea of History (1946).

As a rule, historians do not often question their role as historical agents. While some simply do not think about it, others seem rather reluctant to imagine themselves as objects of investigation and source-producers for future generations of researchers. As (usually avowed) bookworms, we tend to take our bird’s-eye view on the past for granted and are used to distancing ourselves from our topic. Granted, some prominent scholars, like Marc Bloch and, on the Canadian scene, Bryan Palmer, have engaged in historical reflections on a past they themselves inhabited, but these do not include conjectures on the “future perfect” dimension of their present, namely how it might be interpreted by historians in the future.[1] In that regard, the latest strike by York University’s CUPE 3903  has given me fodder for thought. The dispute, which ended on July 25, 2018, was a three-month affair for me, as contract faculty members (aka “sessionals”), of which I am one, went back to work on June 15.[2] During the time spent on the Glendon picket line as a rank-and-file member, I witnessed countless discussions, debates, and observed several changes and continuities with the previous labour disruptions I was involved in, namely the 2008-9 and 2015 strikes. The notes I took during those three months inspired me to write this somewhat unusual, experimental post, which reflects on the dizzying amount of sources that can be produced in a short amount of time.

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In our line of work, historiography is often treated as a necessary evil, a distant arena that not only enables us to locate our own work within the discipline, but also implies a certain distance from the topics under study. Simply put, historiography deals with the ways in which historians have conceived of the past, and what sources and methodologies they have used in order to make sense of it. It also investigates the various trends, schools of thought, and debates that have marked the development of history even before it became an academic discipline in its own right. Essentially, historiography straddles the realms of historical investigation and philosophy. Although I have taught historiography for the last three years at York University’s Glendon College, it only recently occurred to me that historians – and historiographers in particular – tend to adopt a totalizing view of the past, often taking an “end-of-history,” Fukuyamesque approach to their subjects. However, Collingwood’s “illusion of finality” quoted in the epigraph to this post does not systematically stem from a temptation or (sub)conscious will to see one’s field or discipline as complete and unalterable. Faced with countless sources and multiple possible approaches to any given topic, researchers have no choice but to resort to heuristic techniques and to pretend that they fully master their subject. Whereas humility is a prerequisite to any intellectual endeavour, timidity can prove as damning. Therefore, I believe that historians should not refrain from getting out of their comfort zone and embrace the present as the antechamber of history. Continue reading

Historical Practice and Media Engagement

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Newspaper boxes.

Photo by Jeremy Galliani on Unsplash

Krista McCracken

How many media interviews did I think I would do when I started working in an archive? Zero. How many media interviews have I done in the last two months? Eleven. These media interactions have included interviews for television, radio, magazines, newspapers, and online only forums. This work has centered on promoting the work of the Shingwauk Residential Schools Centre and the recently unveiled Reclaiming Shingwauk Hall exhibition at Algoma University.

This rapid increase of interview requests got me thinking about public historians in the news and ways to work with the media. Both academic and public historians have a role to play in providing important historical context to the general public. Indeed, the mission of Activehistory.ca reflects just that desire as a website that “connects the work of historians with the wider public and the importance of the past to current events.” The desire to extend historical conversations beyond academia are something that fuels Active History, public historians, and many scholars who work in the public sphere. Continue reading

Say Cheese? The Dilemma of Photography at Traumatic Heritage Sites

Visitors in the Anne Frank House. Anne Frank House/ Cris Toala Olivares. CC BY 2.0

Kaiti Hannah

There is an ongoing debate in the field of public history regarding the acceptability of taking photographs in museums. Though history museums seem to be leaning more towards allowing or even actively encouraging photography in their galleries, there are many who object to this phenomenon. Open up any think piece about Millennials and you’re sure to see complaints about those of this generation (of which I am a member) being glued to their phones and constantly taking selfies. Selfies in most history museums seem to me to be fairly unobtrusive. Usually it only takes a few moments for people to pose in front of an interesting scene or artefact and snap a photo or two of themselves or a group of friends.

Many museums are leaning into this. Some museums (including “made-for-Instagram” museums like the New York Museum of Ice Cream or California’s Museum of Selfies), have dedicated “selfie areas” where visitors can pose in or around replica artefacts, try on period costumes, or pose with mannequins representing important historical figures. Photography in many museums is seen as a way to attract and engage visitors (especially younger visitors) and make them active participants in the museum instead of passive observers.

Photography in art museums has been discussed repeatedly, but debates have focused on the damaging influence of flash photography, the interference of photographers on the aesthetic experiences of visitors, copyright concerns, and the concern that those who photograph art see it through a lens, rather than with their own eyes, lessening their own appreciation. But history museums have their own set of issues to grapple with. There may not be such issues associated with many museums or heritage sites, but what about somber or traumatic sites of history? The Anne Frank House Museum in Amsterdam, for example, explicitly bans all photography out of concern that cameras could interrupt visitors’ emotions in the site. Their website also lists preservation of the building as a concern. But certainly, in a place closely tied to the Holocaust, the emotional experiences of visitors should be considered.

Consider sites such as the Auschwitz-Birkenau State Museum. Continue reading

Not so Accidental: Farmworkers, Car Crashes, and Capitalist Agriculture

By Edward Dunsworth 

Early last month, near the southern Italian city of Foggia, sixteen migrant farmworkers from various African countries were killed in two separate car accidents. In both cases, vans taking migrants back to camp after work collided with trucks carrying tomatoes from the very fields they had spent the day toiling in. The tragedy brought international media scrutiny to the Puglia region’s agricultural sector, where African migrants are housed in squalid camps and ferried from farm to farm by mob-connected recruiters to work dangerous jobs for minimal pay and with few protections. It also sparked resistance from farmworkers themselves, who on 8 August took the roads of the tomato district, chanting “we are not slaves, no to exploitation.”

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