Tom Peace & Daniel Ross

Keywords from the 2016 CHA Program
This weekend, historians from across the country will gather in Calgary for the annual meeting of the Canadian Historical Association (CHA). It’s one of the few opportunities for Canadian historians and historians of Canada to connect in person, share their most recent research, and discuss larger issues facing the profession. Many attendees also take advantage of the chance to learn firsthand about the history of an unfamiliar city or region and its communities.
Since 2013, we’ve been using a couple of metrics – mainly word counts and chronological markers in paper and panel titles – to provide an overview of what attendees are working on and talking about. There’s nothing particularly rigorous about our methods, but previous posts (2013, 2014, 2015) have provided a starting point for discussions about what Canadian history looks like today, and how that profile has changed over time.
As always, this year’s line-up speaks to the breadth and creativity of historical work being done in Canada. Continue reading




By Rachel Hatcher

The art group General Idea emerged in Toronto’s counterculture scene in the late 1960s. By the early 1970s, the group’s membership was solidified, encompassing Felix Partz, Jorge Zontal, and AA Bronson. Best known for their provocative conceptual works, General Idea took on popular culture formats from beauty pageants to television and engaged in a range of media not limited to painting, photography, mail art, performance, video, and installation. They are perhaps best remembered, though, for their work addressing the AIDS crisis. The AIDS pandemic shaped their practice from 1987 to 1994, a period that ended with the deaths of Partz and Zontal from AIDS related causes.