Active History

The Big Hole of Black Oblivion

May 17, 2016 1 Comment

RHphoto1 By Rachel Hatcher

[This is the second in a series of posts titled “Learning and unlearning history in South Africa’s public spaces”]

The Big Hole in Kimberley, in South Africa’s Northern Cape province, somehow manages to tower over the city in a way that is surprising for a big hole in the ground, which is precisely what the Big Hole is. Yet the Big Hole does just that. It towers. Part of this is certainly because the Big Hole, which is reputed to be the biggest hand-dug hole in the world, seems to be the only reason people visit Kimberley. Mention in nearby Bloemfontein that you went to Kimberley on the weekend, and you will be asked if you saw the Big Hole. Another reason the Big Hole towers over the city is because of its history. Kimberley exists because of the Big Hole and, more specifically, because of the millions of dollars of diamonds dug from the hole, many of which ended up with the DeBeers company, founded in Kimberley in 1888.

Today, the complete Big Hole experience begins with a short film, Diamonds and Destiny, which tells the “realistic” story of the mine’s early existence “through the eyes of two fictional characters of the time,” a white travel writer and a black labourer. The experience continues with a short tour of the underground mine; a visit to the viewing platform perched overlooking the Big Hole; and, finally, a visit to the mine museum and the heavily guarded diamond display. Visitors are also invited to take a trolley ride or walk around the restored old town with its blacksmith, garage, “High Class London Tailor,” milliners, and other shops. Continue reading →

Creating the Canadian Mosaic

May 16, 2016 1 Comment

Ryan McKenney and Benjamin Bryce

John Murray Gibbon’s image of a Czechoslovakian immigrant in his Canadian Mosaic

Canadians often describe their country as a “mosaic.” This idea is present on government websites and in many contemporary articles in the media (on outlets such as The Globe and Mail, Macleans, and the Huffington Post), and most importantly in the minds of people across the country. Though used in different contexts and with different goals, the mosaic almost always describes Canada as a multicultural landscape and symbolizes a national ideology of inclusion and diversity. Canadians hold great pride in this idea, placing it on the progressive end of a spectrum opposite to the American melting pot. Yet Canadians rarely question where the term comes from.

Many Canadians would likely be astonished to find that the first person to use the term “mosaic” to discuss the national character of Canada was in fact an American. Continue reading →

Arab-Canadian Foodscapes and Authenticity

May 12, 2016 No Comments

Michael Akladios

Tabbouleh is a Mezzeh (appetizer) made of cracked wheat with parsley, tomato, lemon, cucumbers, onion, and olive oil. Variations exist throughout the Levant. Wikimedia Commons

Visiting diverse Middle Eastern restaurants across the Greater Toronto Area, one quickly discovers that they all feature Tabbouleh on the menu. As an Egyptian, I had never eaten Tabbouleh until I started my undergraduate degree at York University in Toronto. It is not part of the Egyptian tradition. Interestingly, while Syrian and Lebanese emigrants found their way to Egypt in large numbers throughout the mid- to late-nineteenth century, this side-dish never made its way into mainstream Egyptian cuisine, and especially, the average family kitchen. However, in North America it has come to be defined as “authentically” Middle Eastern.

The first time I tried Tabbouleh, I was with a group of friends from various ethno-cultural backgrounds. When I asked what kind of salad that “green dish” was, I was met with confused expressions. The person across the table asked me: “I thought you were Egyptian?” Somehow, not knowing what Tabbouleh was, made my very claim to “Egyptian-ness” questionable. Continue reading →

History Slam Episode Eighty-Four: Art History & General Idea

May 11, 2016 1 Comment

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By Sean Graham

The art group General Idea emerged in Toronto’s counterculture scene in the late 1960s. By the early 1970s, the group’s membership was solidified, encompassing Felix Partz, Jorge Zontal, and AA Bronson. Best known for their provocative conceptual works, General Idea took on popular culture formats from beauty pageants to television and engaged in a range of media not limited to painting, photography, mail art, performance, video, and installation. They are perhaps best remembered, though, for their work addressing the AIDS crisis. The AIDS pandemic shaped their practice from 1987 to 1994, a period that ended with the deaths of Partz and Zontal from AIDS related causes.

Given the broad scope and influential legacy of General Idea, the Art Canada Institute has commissioned a new book exploring the group’s history. Part of the ACI’s series examining major Canadian artists, the book looks at the group’s founding, its major exhibitions, and its influence on later artists.

What is really unique about the book, and ACI’s series generally, is that it is an entirely digital publication. This format is particularly useful in art history, where the visual is so important. The book includes photos and videos of General Idea’s artwork, which allows the reader to fully engage with the material. Rather than have the book describe the art, the digital format allows the art to speak for itself.

Continue reading →

1984: The Parable of Ethiopian Famine and Foreign Aid

May 10, 2016 1 Comment

Nassisse Solomon

Maclean’s, 1984

Ethiopia is back in international headlines with another apocalyptic-scale famine. It is being widely reported that the country is facing its worst drought in 50 years, a result of three failed rainy seasons, coupled with an El Nino effect warming the Pacific Ocean affecting global weather patterns. With just weeks remaining before the start of the main cropping season in the country, the United Nations Food and Agriculture Organization is calling for urgent funding to assist farmers in sowing their fields in order to abate drought stricken areas from falling deeper into hunger and food insecurity. With a future saddled by the “uncertainty of what nature has called down upon it”, Ethiopia, as CBC’s Margaret Evans among many others have characterized it, is once again “on the edge.”

Currently, Ethiopia has an estimated 10.2 million people in need of assistance throughout 2016, with another 5.75 million children at risk of going hungry. Up to 2 million children are currently suffering from malnutrition, with 400,000 acute cases. The numbers are once again staggering and overwhelming, leading many to proclaim that this is evidence of “history repeating itself”. Continue reading →

The Long Form Census is Back, but it is Far From Perfect

May 9, 2016 2 Comments

By Patricia Kmiec

census image2 If you live in Canada, you have likely received your invitation to complete the 2016 Census of Population this week. The 2016 census is a celebration of sorts in Canada, with many historians, researchers, educators, policy-makers, and members of the public relieved to hear that this year’s census comprises a mandatory short-form (completed by the entire population) and a mandatory long-form (completed by approximately 25% of the population). This is unusually celebratory news as the previous Conservative government eliminated the long-form census and replaced it with a voluntary survey for our last census year, 2011. Not surprisingly, much of the data collected from the voluntary survey was found to be unreliable, and, in many ways, useless to researchers.

While it is certainly good news that the mandatory form has returned, I hope that Canadians will continue the conversation about how accurate census data is essential in providing a strong understanding of the population. Unfortunately, assumptions about Indigenous identities, race, and labour, all deeply rooted in historical biases, continue to shape how questions are posed, how information collected is categorized, and how present-day realities for many populations are made invisible. Continue reading →

Reports from New Directions in Active History: Pathways to Active Historical Engagement in High Schools

May 5, 2016 1 Comment

By Neil Orford

Though it may be apocryphal, Thomas Aquinas was reputed to have said that “History is a foreign land to which few will ever travel.” After teaching history for 30 years in the Ontario Secondary system, I believe he may have been right.

The notion of ‘Active History” is an intriguing one – knowledge mobilization for students, designing a new robust curricula founded upon Historical Thinking Concepts, demanding 21^st century digital competencies that present historical understandings in multi-dimensional ways – an idea which is rich in possibility, inventiveness and intellectual rigour.

Yet the October 2015 Conference on “New Directions, challenged me to make a frank assessment of the current state of history education, albeit from a decidedly “Ontario-Centric” perspective. The workshops, speakers and roundtable debates suggested that public history (and history education) are at a crossroads between teaching traditional narrative to establish ‘the story of Canada’ or teaching for critical inquiry and skill-development. True, the two ‘directions’ are not mutually exclusive and they can (& do) intersect with ease. However, within the limitations of a compulsory semester-long Grade 10 history course, which should be the ‘road more-travelled?’

Perhaps more to the point; which provides the better chance for ‘active historical’ engagement? Continue reading →

Writing is “easy”… Student Learning in the First-Year Canadian Survey Course

May 4, 2016 1 Comment

By Mark Leier

Making a safe space
Writing real life
Making assignments matter
Metahistories
Doing more with less
References

The assignment made all of us squirm. Some broke into a sweat; others made little nervous jokes. At a workshop on teaching writing, we — professors, graduate students, librarians, deans — were asked to take five minutes to complete a short writing exercise that we would share with others. We were seasoned veterans with countless theses, books, articles, memos, and position papers between us, yet being asked to write something made us uneasy.

The sportswriter Walter “Red” Smith is alleged to have said, “Turning out a column is easy. I just sit at my typewriter until beads of blood form on my forehead.”

I took that lesson to heart as I redesigned my first year survey course, “Canada since Confederation,” as a “writing intensive” course. The aim is not to teach writing skills such as “Our Friend the Comma” or “27 Keys to the Successful Term Paper.” Rather, writing is one of the skills we work on in the class, and writing is emphasized as a way to learn. But if a simple assignment at a voluntary workshop made us nervous, what would writing do to students who know they are about to be weighed and judged?

The problem is particularly acute in “Canada since Confederation.” Continue reading →

AIDS on the Wall: Reflections on the Exhibit “Positive Sex” and the AIDS Activist History Project that Made it Happen

May 2, 2016 1 Comment

Beth A. Robertson

Positive Sex Event Poster

Today if you walk into MacOdrum Library at Carleton University in Ottawa, you might be forgiven for taking a double-take. Up on the wall in the main foyer is a striking display that is intended to provide a deeper understanding of what AIDS activism in Canada has looked like since the 1980s. “Positive Sex: Eroticizing Safer Sex Practices in Canada in the 1980s and 1990s,” was curated by Janna Klostermann, Sarah Rodimon and Alexis Shotwell of Carleton University. Focusing on the people on the ground who struggled with inflexible bureaucracy and homophobic stereotypes to promote safer sex practices across Canada, the exhibit features a selection of materials, photographs and quotes that are challenging and provocative. Continue reading →

Justin Trudeau and Canada’s Colonial Baggage: Past and Present

April 28, 2016 2 Comments

by Christo Aivalis

‘(official denial) trade value in progress’ participatory art project responding to Harper’s no history of colonialism statement. Photograph by Krista McCracken.

Justin Trudeau—since his October 2015 electoral victory that catapulted him to the office of Prime Minister, and his Liberal Party to a majority government—has not lost much of his sheen with the Canadian public. He still embodies for many youthfulness, respectable progressivism, and what the modern Canadian state and civil society should resemble.

Additionally, Trudeau on the international scene is seen as sexy, cosmopolitan, and as an embodiment of what Canada is stereotypically thought to be, even if it isn’t the reality. Trudeau’s actions, symbolic as they mostly have been, are nevertheless speaking loudly within and beyond Canada’s borders, giving him a highly publicized pulpit from which to evangelize his brand of Canadian l/Liberalism.

In this light, it was just a few days ago at New York University where Trudeau took questions from students. But one topic that went relatively unchallenged was Trudeau’s justification for what Canada can offer the United Nations:

“it’s a capacity to engage in the world in difficult places without some of the baggage that so many other Western countries have, either colonial pasts or perceptions of American imperialism, as a critique that’s often out there.”

Some people, including NDP MP Niki Ashton, keyed in on Trudeau’s disavowance of Canada’s colonial and imperial baggage. Others have made the case that this sort of statement mirrors Stephen Harper’s claim that Canada has no history of colonialism. Continue reading →

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