Ryan McKenney and Benjamin Bryce

John Murray Gibbon’s image of a Czechoslovakian immigrant in his Canadian Mosaic
Canadians often describe their country as a “mosaic.” This idea is present on government websites and in many contemporary articles in the media (on outlets such as The Globe and Mail, Macleans, and the Huffington Post), and most importantly in the minds of people across the country. Though used in different contexts and with different goals, the mosaic almost always describes Canada as a multicultural landscape and symbolizes a national ideology of inclusion and diversity. Canadians hold great pride in this idea, placing it on the progressive end of a spectrum opposite to the American melting pot. Yet Canadians rarely question where the term comes from.
Many Canadians would likely be astonished to find that the first person to use the term “mosaic” to discuss the national character of Canada was in fact an American. Continue reading

The art group General Idea emerged in Toronto’s counterculture scene in the late 1960s. By the early 1970s, the group’s membership was solidified, encompassing Felix Partz, Jorge Zontal, and AA Bronson. Best known for their provocative conceptual works, General Idea took on popular culture formats from beauty pageants to television and engaged in a range of media not limited to painting, photography, mail art, performance, video, and installation. They are perhaps best remembered, though, for their work addressing the AIDS crisis. The AIDS pandemic shaped their practice from 1987 to 1994, a period that ended with the deaths of Partz and Zontal from AIDS related causes.
If you live in Canada, you have likely received your invitation to complete the 2016 Census of Population this week. The 2016 census is a
Though it may be apocryphal, Thomas Aquinas was reputed to have said that “History is a foreign land to which few will ever travel.” After teaching history for 30 years in the Ontario Secondary system, I believe he may have been right.

