
Daze Jefferies and Rhea Rollmann
Editor’s note: the following work by Daze Jefferies and Rhea Rollmann is a piece of creative history. Transfeminine histories are often especially difficult to recount through traditional historical writing. By engaging with archival fragments, as well as oral histories completed by Rhea for her exceptional book A Queer History of Newfoundland, this article uses the power of narrative and poetry to weave these stories together and trouble our conception of history.
At Newfoundland’s far edges of the North Atlantic, transfeminine histories – of survival and resistance, of love and loss, of leaving and staying – are shaped by wave relationships. Ebbing and flowing over the past one hundred years, these relationships permeate the archive: re-storied in early twentieth century folksongs[1]; emerging from rural youth voices within the medical and media record; held by sisterhood among drag performers and showgirls; tendered in the personals ads of local and visiting sex workers; affirmed through access to the early internet’s resources; echoing as protest chants through outport dirt roads and city streets alike; lingering in the wake of forced resettlement and outmigration; rising again through collective efforts to know and honour those who came before. Evidence of historical trans and genderqueer presence in Newfoundland emerges in wave-form, like so many gleaming shells half-buried in the sand, revealed by ebbing tides. Half-submerged fragments of memory disappear beneath a moon-swept shoal, signposts to lives half-lived, only to re-emerge in other places: Montreal, New York, British Columbia.
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